Gift of the Edward J. Guarino Collection in honor of Kyle Aron Burns

Gift of the Edward J. Guarino Collection in honor of Amanda Caitlin Burns

On side of base: Vincentita Pino, Zia Pueblo

On bottom: Inscribed Margaret Tafoya , old sticky white label

Signed bottom: "maria." Remanats of a white

Gift of Graham and Megan Marks in memory of Barbara and Fred Marks

Gift of Graham and Megan Marks in memory of Barbara and Fred Marks

NATIVE AMERICAN PUEBLO POTTERY
Pottery making was practiced in the southwestern United States for at least two thousand years. Zuni and Cochiti potters created the three vessels here: two water jars and one drum jar, which would have had a hide stretched over the top for beating with drumsticks. Historically, women were the potters, collecting their own clays, coiling and finishing each pot by hand, and firing the pieces in open fires.

Pots were often traded and exchanged between pueblos, so that new ideas were constantly being generated. During the 1880s the advent of the railroad brought an influx of trading posts and tourists into the Southwest and entrepreneurial potters began selling to the non-Native market. Today, both male and female potters continue to form traditional works as well as generate exciting new forms of Pueblo pottery.

The large vessel or olla has a round body, a short, wide neck and a wide mouth. Approximately 2/3 of the surface is decorated with a red, white, and black floral motif design.The entire surface of the pot is highly burnished and the lower section has oxegen fire flare burn marks. It would be used as a water jar.