Rod Puppet Item Number: Ib336 a-c from the MOA: University of British Columbia

Description

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft that passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. Red face, bulging eyes with green irises, black moustache, beard and sideburns, blunt protruding nose, white and gold upper teeth slightly protruding. Green and white striped turban, gold sumping, white Garuda Mungkur with short red tongue. Black curly hair decorated with gold appearing from back of headdress. Gold neck. Head detachable and joined to body by controlling rod. Pink rounded torso; swelling breasts; blue circles around breasts and navel. Breasts covered by black velvet yoke with appliqued seed beads; velvet worn and some beads missing. Yoke attached to chest and back with nails. Pink arms articulated at shoulder and elbow by string. Green and blue upper arm, and blue and red wrist ornaments. Hands at right angles to arms with fingers curled; attached by string to controlling wands. Blue, green, orange and yellow plaid skirt.

History Of Use

Javanese puppetry as an art form probably developed by the 11th century. The three-dimensional wooden wayang golek puppets of western Java appeared during the 16th century. Originally the plays depicted Javanese mythology, but after the Indian conquest of Java the Hindu epics, Ramayana and Mahabharata, were incorporated into the cycles, which comprise about 200 plays. An individual or group hires a dalang (puppet-master) to celebrate important occasions. The performances often last all night and are generally presented in three acts, with vocal and instrumental accompaniment. The individual plays vary widely in detail but usually involve conflict between good and evil. They serve a moral and religious purpose, and more recently, one of political commentary. Each puppet's character is represented by its appearance and placement onstage; protagonists with strong elements of good are placed to the right, antagonists of violent or evil nature to the left. The ogress, Sarpakanka, is found in the Ramayana epic, in which the exiled Prince Rama and his half-brother Lakshmana meet the ogress in the forest. She attempts to seduce Lakshmana who cuts off her ear in disgust. Rama later allies himself with Sagriwa, the king of the white monkeys, whose general, Hanuman, kills Sarpakanka.

Cultural Context

Theatrical performance.

Iconographic Meaning

Red face, protruding eyes and blunt nose, rounded torso and covered breasts are all characteristics of the hermaphroditic ogress, Sarpakanka. The red face indicates violent nature, and protruding eyes and nose are coarse traits and generally considered evil. Significance of green eyes is unclear; however, the trait is certainly very negative.

Item History

What

Name
Rod Puppet
Identification Number
Ib336 a-c
Type of Item
puppet
Material
wood, cotton fibre, paint, glass and metal
Manufacturing Technique
carved, painted, machine woven, stitched and nailed
Part A
height 71.5 cm, width 22.0 cm, depth 9.5 cm
Part B
height 21.5 cm, width 10.5 cm, depth 16.7 cm
Part C
height 38.5 cm, width 2.5 cm, depth 2.0 cm

Who

Culture
Sundanese
Previous Owner
Tradewind Antiques
Received from
Museum of Anthropology Shop Volunteers (Funding source) and Tradewind Antiques (Seller)

Where

Holding Institution
MOA: University of British Columbia
Made in
Java, Indonesia

When

Ownership Date
before March 15, 1983
Acquisition Date
on March 15, 1983

Other

Condition
fair
Accession Number
0886/0070 a-c