Rod Puppet Item Number: Ib382 a-c from the MOA: University of British Columbia

Description

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft that passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. Blue face (Bima type) positioned slightly downwards; wedge-shaped nose, bulging white eyes with red irises, closed red lips. Teardrop-shaped red decoration on each cheek. Thick moustache, beard, sideburns, hair in black. Very ornate crown (mahkota) in red with gold diadem, karawista with green trim. Gold sumping in green and red, above black Tali Garuda. Double badong beneath grey Garuda Mungkur (short-tongued) with siyung jawi. Considerable discolouring of head and torso. Neck and upper body dull gold, each arm with black and red (?) ornaments at wrist and bicep. Hands held flat and bent back at wrist. Black chest covering and apron with cross-shaped wrapped wire designs, white wavy trim, sequins. Apron has purple waistband, and worn yellow fringe at bottom. Long batik skirt in yellow, beige and green.

History Of Use

Javanese puppetry as an art form probably developed by the 11th century. Wayang golek puppets of western Java appeared during the 16th century. Originally the plays depicted Javanese mythology, but after the Indian conquest of Java the Hindu epics, Ramayana and Mahabharata, were incorporated into the cycles, which comprise about 200 plays. A dalang (puppet master) performs the plays to celebrate important occasions, usually in three acts, with vocal and instrumental accompaniment. Typically they serve a moral and religious purpose, and more recently, one of political commentary. Important puppets often have several manifestations to denote changes in age or disposition. Boma, known also as Sutija and Bomanarakasura, is the son of Kresna and Pertiwi. He is a great prabu (king) of the Mahabharata cycle of plays, which depicts the conflict between the Pandawa brothers and their usurpers, the Kurawas.

Cultural Context

Theatrical performance.

Iconographic Meaning

Each puppet is characterized by its wanda, a Javanese word which describes the specific mixture of elements of size, form, colour, ornamentation and carving. Blue face indicates calmness or spiritual awareness; red irises suggest anger or assertiveness. Large facial features and body not considered refined. Batik skirt, arm ornaments, and position of hands indicate refinement and rank, as does Garuda Mungkur. Mahkota (crown) found only on prabu (kings). Configuration of headdress and face identify character as Boma (or Sutija); however, small differences from the standard exist. Puppet has less exposed hair, and closed mouth. These differences are minor, although they may imply the puppet is a variation for a particular play or mood.

Item History

What

Name
Rod Puppet
Identification Number
Ib382 a-c
Type of Item
puppet
Material
wood, cotton fibre, fibre, paint and metal
Manufacturing Technique
carved, painted, tied, woven and sewn
Part A
height 60.5 cm, width 23.0 cm, depth 7.0 cm
Part B
height 22.0 cm, width 8.0 cm, depth 17.0 cm
Part C
height 38.2 cm, width 2.0 cm, depth 1.0 cm

Who

Culture
Sundanese
Previous Owner
Donald Bone
Received from
Donald Bone (Seller) and Museum of Anthropology Donations Fund (Funding source)

Where

Holding Institution
MOA: University of British Columbia
Made in
Java, Indonesia

When

Ownership Date
before January 4, 1980
Acquisition Date
on January 4, 1980

Other

Condition
fair
Accession Number
0586/0001 a-c