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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Figure representing a person on a flat backing of white paper. Front view is depicted of the figure which is made of cloth lightly padded to give a three-dimensional effect having each portion made of a separate piece of cloth wih painted details. Hands are made of paper. Face is made of white silk. Figure's left hand is holding a flat circular red, green, and yellow fan. Wearing a light green silk short blouse tied at the right front with a dark red ribbon while having cuffs of the same, a blue ankle-length silk skirt fastened under the arms with a white cotton ribbon, loose grey trousers, white socks, and low red shoes. Two pieces of blue and white flannel hemmed in light red-pink silk with a loop of the same at the top are sewn to the paper backing.

History Of Use

Figure represents girl of late 19th to early 20th century. Braided hair shows she is unmarried, as married women wore their hair in a short bun (Osgood). Such figures were made during the time when Korea was first open to the outside world (after the mid 1890s), probably as gifts to present to missionaries or other visitors from foreign countries. Flat dolls like these were very popular during the period 1910-20. Before that time, shamans made dolls that they sold to their clients, as images of those the clients wanted to exorcise. Simple dolls were made of straw for children to play with. After Korea opened, people began to see dolls as artistic objects. They were made in workshops by masters, using authentic fabrics whenever possible, as their purpose was to introduce foreigners to Korean society.
Young girls of the official “yangban” class wore jackets with coloured trim, clothing made of expensive materials, and might carry flat fans. By about 1910 the jacket “Jo-go-ri” was longer than it had previously been. They wore their hair in a single braid at the back.

Narrative

Collected by J. H. Morris while he was chief engineer for Seoul Railway, Korea.

Specific Techniques

The clothing was stitched around the edge and then a layer was added inside the clothing. Each section was separately applied and pasted in place. The details were finely painted.

Iconographic Meaning

The trim on the girl’s jacket, ”Ban-hwei-jang Jo-go-ri”, and her fan indicate that she is of the official “yangban” class.

Item History

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