Egg Item Number: Ch39 from the MOA: University of British Columbia

Description

Easter egg with brown background. There are 2 longitudinal bands, crossing at the top and bottom, these are yellow and red with scalloped edges, and a row of white flowers and green dots. Between bands are 4 areas, 2 with yellow goats, and 2 with red ones. At the top of each is a triangular area with yellow, red and white stripes. Each goat is outlines in a square with scalloped red edges. At the top and bottom is a square with 4 semi-ovals in the corners of a square motif. The egg is hollow and fragile. There is a tiny hole in one end.

History Of Use

Pysanka (decorated eggs) are a traditional folk art with pre-Christian roots. Eggs in early times were associated with sun worship, with the yolk representing the sun, and whites the moon. Eggs were used to greet the Spring. Greeting the Spring is still important, however. Easter is their most important association. These eggs are considered benevolent talisman. Children receive light coloured eggs with floral designs. Teenagers are given eggs with blank spaces to represent lives yet to be lived. Married couples receive 40 triangle eggs representing all aspects of their lives together. Older persons are given eggs with black belts, ladders and gates representing heavenly bridges. The eggs are made at night by gatherings of mentally and physically purified women. They are given and exchanged in many contexts.

Narrative

From the Mykhalylo Huculak Hutzulian Folk Art Collection. They are made by resist dying with bees wax applied in various layers and melted off.

Cultural Context

ritual; folk art

Iconographic Meaning

The decorations on pysanka eggs symbolize hope, happiness and protection from evil. When a women is in the process of making the egg, goodness is said to be transferred to the design and to the household. This design is called 'kozluku', meaning goats.