Paper Item Number: Ed5.2317 from the MOA: University of British Columbia
Washi sample mounted on white, labelled and folded paper with 3-pointed leaf above scrolled 'm' watermark. Sample is light brown with brown stenciled, pictorial pattern of maple leaves with attached twigs. Leaves float under water, represented by shimmering white concentric curving lines on the horizontal. Lines applied overtop brown pattern which discontinues some distance from upper, left, and lower edges. Red stamp, lower left.
Papermaking originated on the Asian mainland and spread to Japan by 1500 years ago. For centuries Japan has produced the greatest quantity and variety of handmade paper or washi in the world. Traditionally, papermaking was a family or community enterprise which thrived in mountain farming communities where cold, pure water and wild bast fibre shrubs, such as mulberry, are plentiful. Washi is an important cultural symbol and holds a place in nearly every aspect of Japanese life. It is also a significant aspect of both Shinto and Buddhist rites and customs. At present, design of maple leaves under running water is on sliding doors at the Gepparo Pavilion, Katsura Imperial Villa, Kyoto, built (1620-1624 C.E.) by Prince Hachijo Toshihito, claimed to be the most cultured man of his time.
sample
This is part of the Tesukiwashi Taikan, a collection of handmade paper published, in an edition of 1000 copies, in Tokyo as a project to commemorate the centennial of Mainchi Newspapers and to preserve Japanese handmade paper. A collection on this scale had not been made before. This collection consists of 5 boxes of mounted and labelled samples with an explanatory book in 4 of the boxes. The text is in Japanese and with less detail, in English. Compiled and edited by a special editorial staff of scholars. Published by the Mainchi Newspapers of Tokyo, Japan.