Egg Item Number: Ch41 from the MOA: University of British Columbia

Description

Easter egg with red background. Two bands run longitudinally, crossing at top and bottom. Same width band runs around centre. The bands have orange crosshatching. At intersections there is a plain square. The triangular spaces between bands contain alternating white and orange galloping ponies. There are green ovals under each horse. The egg is hollow and fragile. There is a tiny hole in one end.

History Of Use

Pysanka (decorated eggs) are a traditional folk art with pre-Christian roots. Eggs in early times were associated with sun worship, with the yolk representing the sun, and whites the moon. Eggs were used to greet the Spring. Greeting the Spring is still important, however. Easter is their most important association. These eggs are considered benevolent talisman. Children receive light coloured eggs with floral designs. Teenagers are given eggs with blank spaces to represent lives yet to be lived. Married couples receive 40 triangle eggs representing all aspects of their lives together. Older persons are given eggs with black belts, ladders and gates representing heavenly bridges. The eggs are made at night by gatherings of mentally and physically purified women. They are given and exchanged in many contexts.

Cultural Context

ritual; folk art

Specific Techniques

They are made by resist dying with bees wax applied in various layers and melted off.

Narrative

From the Mykhalylo Huculak Hutzulian Folk Art Collection.

Iconographic Meaning

The decorations on pysanka eggs symbolize hope, happiness, and protection from evil. When a women is in the process of making the egg, goodness is said to be transferred to the design and to the household. The design is called 'kohuku' which means horses or ponies.