Igloos at Ikerasak Item Number: Na815 from the MOA: University of British Columbia

Description

Three blue igloos; Two upper ones are doubled and have smoke, two figures at entrances, one figure between igloos; lower igloo flanked by harpoons and floats, one figure at entrance; sled and dog at centre; landscape background with two figures. Below image from side on left: "Igloos at Ikerasak stonecut 10/50 Dorset 1975 Pitseolak"; names of artist and printmaker in Inuit syllabics with Cape Dorset stylized ''red igloo'' seal(?) in lower corner on right. Canadian Eskimo Arts Council's blind embossed stamp in bottom corner on right.

History Of Use

Contemporary Inuit prints were first produced at Cape Dorset in 1957. Although precursors to printmaking can be seen in women's skin applique work and in men's incising of ivory, stone and bone, the impetus for printmaking was as a commercial venture. This venture was established jointly by Inuit artists and John Houston, the civil administrator for Cape Dorset. Other Inuit communities quickly followed the commercial success of Cape Dorset's West Baffin Eskimo Cooperative. Printmaking developed as a communal activity following a Japanese, rather than a Western, model of serigraph production. Each year the cooperatives produce a series of limited edition prints which are sold in the retail art market. In 1965, the Canadian Eskimo Arts Council was established from the Canadian Eskimo Art Committee to ensure high standards were maintained. Printmaking, along with stone carving, provide cash income for communities which have undergone rapid and significant change, during the late 20th century, from traditional hunting based societies to settled communities dependent on consumer goods. The prevalent images depicted in Inuit art are of traditional life, arctic animals and mythology. Recently, contemporary subjects have been depicted by a minority of artists.

Cultural Context

contemporary art

Item History

What

Name
Igloos at Ikerasak
Identification Number
Na815
Type of Item
print
Overall
height 86.0 cm, width 63.0 cm

Who

Culture
Inuit
Creator
Pitseolak Ashoona (Maker) and Timothy Ottochie (Technician)
Previous Owner
Guenter Adolphs
Received from
Guenter Adolphs (Donor)

Where

Holding Institution
MOA: University of British Columbia
Made in
Cape Dorset, Nunavut, Canada and Kinngait, Nunavut, Canada

When

Creation Date
during 1975
Collection Date
before 1983
Ownership Date
before December 15, 1983
Acquisition Date
on December 15, 1983

Other

Item Classes
works on paper
Condition
good
Accession Number
0914/0085