Villagers Excited Over Return of Spring Geese Item Number: Na834 from the MOA: University of British Columbia
Description
White stylized goose with black down curved beak, wing has two patterned segments; eye has round black pupil enclosed in concentric black circle; black feet; stands on seal-like creature with two heads and two sets of fins. Two figures clad in parkas and boots, one has a weapon, facing bird. Two upper torso figures behind seal-like creature have arms on right outstretched. Procession of four figures with arms outstretched at top of image, figure on left holds black bird. At lower corner on right stamped names of artist and printmaker in Inuit syllabics with Cape Dorset stylized red igloo seal. Pencil inscription below image from side on left: "Lucy stonecut 40/50 Dorset 1976."
History Of Use
Contemporary Inuit prints were first produced at Cape Dorset in 1957. Although precursors to printmaking can be seen in women's skin applique work and in men's incising of ivory, stone and bone, the impetus for printmaking was as a commercial venture. This venture was established jointly by Inuit artists and John Houston, the civil administrator for Cape Dorset. Other Inuit communities quickly followed the commercial success of Cape Dorset's West Baffin Eskimo Cooperative. Printmaking developed as a communal activity following a Japanese, rather than a Western, model of serigraph production. Each year the cooperatives produce a series of limited edition prints which are sold in the retail art market. In 1965, the Canadian Eskimo Arts Council was established from the Canadian Eskimo Art Committee to ensure high standards were maintained. Printmaking, along with stone carving, provide cash income for communities which have undergone rapid and significant change, during the late 20th century, from traditional hunting based societies to settled communities dependent on consumer goods. The prevalent images depicted in Inuit art are of traditional life, arctic animals and mythology. Recently, contemporary subjects have been depicted by a minority of artists.
Cultural Context
contemporary art
Item History
- Made by Lucy Qinnuayuak (Maker) and Qabaroak Qatsiya (Technician) in Cape Dorset, Nunavut, Canada and Kinngait, Nunavut, Canada during 1976
- Collected before 1983
- Owned by Guenter Adolphs before December 15, 1983
- Received from Guenter Adolphs (Donor) on December 15, 1983
What
Who
- Culture
- Inuit
- Creator
- Lucy Qinnuayuak (Maker) and Qabaroak Qatsiya (Technician)
- Previous Owner
- Guenter Adolphs
- Received from
- Guenter Adolphs (Donor)
Where
- Holding Institution
- MOA: University of British Columbia
- Made in
- Cape Dorset, Nunavut, Canada and Kinngait, Nunavut, Canada
When
- Creation Date
- during 1976
- Collection Date
- before 1983
- Ownership Date
- before December 15, 1983
- Acquisition Date
- on December 15, 1983
Other
- Item Classes
- works on paper
- Condition
- good
- Accession Number
- 0914/0104