Taleelayo Item Number: Na789 from the MOA: University of British Columbia

Description

Print depicting Taleelayo, the spirit of the sea. The figure has a human head and arms with a fish-like lower body. Her chest, mouth and fins are orange-brown, and the rest of her body is green. Below the image is written, "Taleelayo Stone Cut 7/50 Dorset 1974 Pitaloosee." The print is also stamped with the names of the artist and printmakers in Inuit syllabics, and with the Cape Dorset stylized red igloo seal on the bottom right-hand side of the image. The Canadian Arts Council's blind embossed stamp is at the lower right-hand corner.

History Of Use

Contemporary Inuit prints were first produced at Cape Dorset in 1957. Although precursors to printmaking can be seen in women's skin applique work and in men's incising of ivory, stone and bone, the impetus for printmaking was as a commercial venture. This venture was established jointly by Inuit artists and John Houston, the civil administrator for Cape Dorset. Other Inuit communities quickly followed the commercial success of Cape Dorset's West Baffin Eskimo Cooperative. Printmaking developed as a communal activity following a Japanese, rather than a Western, model of serigraph production. Each year the cooperatives produce a series of limited edition prints which are sold in the retail art market. In 1965, the Canadian Eskimo Arts Council was established from the Canadian Eskimo Art Committee to ensure high standards were maintained. Printmaking, along with stone carving, provide cash income for communities which have undergone rapid and significant change, during the late 20th century, from traditional hunting based societies to settled communities dependent on consumer goods. The prevalent images depicted in Inuit art are of traditional life, arctic animals and mythology. Recently, contemporary subjects have been depicted by a minority of artists.

Iconographic Meaning

Taleelayo is considered to be the mother spirit of the sea.

Cultural Context

contemporary art