Raven Travelling with Sculpin Item Number: Nb22.80 from the MOA: University of British Columbia

Description

Symmetrical design is predominantly black with red detail. All images are contained in a basically rounded rectangle. There is a head at the top centre protruding from the bottom, a horizontally elongated frontal face with a protruding tongue and a salmon-trout head eye motif, and a small frontal face with three split u's above up to the ovoid with a nearly solid inner ovoid. Frontal face at the top has a series of six split u's along the top of the head with a triangle shape below the chin. Two profile faces are on either side with a red curled s-shape above the teeth row and having the tail come to a point and the forelimb go to the centre. Pencil inscription across the bottom reads '207/225 Raven travelling with Sculpin Dempsey Bob '79'. There are three embossed marks along the bottom edge, from the right: 'The Gallery Collection', a circle with a vertical line, and a discontinuous horizontal line. The print is on a vertically rectangular, near white paper piece with a deckle edge top and bottom.

History Of Use

Northwest Coast serigraphs are a contemporary art form, deriving from early 20th century drawings of traditional crest and decorative designs, commissioned by anthropologists and undertaken by artists such as Charles Edenshaw. Residential schools reinforced the medium, while discouraging the use of traditional themes. An important series of traditional designs in coloured pencil and watercolour were done by Mungo Martin for UBC in 1949-50. The 1960's saw the rapid growth of prints, first in unlimited poster editions, and later with the establishment of the Gitanmaax School of Northwest Coast Indian Art at 'Ksan (1967), and of the Northwest Coast Indian Artists Guild (1977), limited edition art runs became the standard. Northwest Coast silkscreen prints are part of the mainstream art market, as well as, functioning within the native context as potlatch gifts, and commemorative prints. Although, there are distinctive regional styles, individual artists may work in several styles, or apply unique themes and variations to specific works.

Cultural Context

contemporary art

Item History

What

Name
Raven Travelling with Sculpin
Identification Number
Nb22.80
Type of Item
print
Manufacturing Technique
silkscreened
Overall
height 66.0 cm, width 50.3 cm, depth 0.1 cm

Who

Culture
Tahltan and Tlingit
Creator
Dempsey Bob (Maker)
Previous Owner
Vancouver Museums & Planetarium & Association Gift Shop
Received from
McLean Foundation (Funding source) and Vancouver Museums & Planetarium & Association Gift Shop (Seller)

Where

Holding Institution
MOA: University of British Columbia
Made in
British Columbia, Canada

When

Creation Date
during 1979
Ownership Date
before April 18, 1980
Acquisition Date
on April 18, 1980

Other

Item Classes
works on paper
Condition
good
Accession Number
0625/0004