Hopi Corn Dance
Item number 40.90 from the Brooklyn Museum.
Item number 40.90 from the Brooklyn Museum.
This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.
The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.
These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.
This information was automatically generated from data provided by Brooklyn Museum. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.
Also known as Lewis Lomay.(1913-1996) Native American watercolor painting, depicting scenes from everyday life and ceremonial dances, arose in the 1920s, stimulated by growing interest among white patrons. Drawing from a long tradition of painted hides, pottery, and wall murals, artists incorporated native painting styles with the European-derived medium of watercolor to create a new Native American art form. At the heart of this movement were various self-taught artists from the southwestern United States, particularly from Hopi and Pueblo cultures. In 1930 the Brooklyn Museum was one of the first museums in the country to feature an exhibition of watercolors by Native American painters from the Southwest. Here Louis Lomayesva (b. 1913) depicts the dancers and drummers of the Hopi Corn Dance. Representing life , corn is the most important symbol for the Hopi. Like many of his contemporary Native American watercolor artists watercolorists, Lomayesva omitted the background in his images , thereby emphasizing the figures while adding a timeless quality. At the same time, his paintings mirror reality, as seen in the fine details of the woven designs on the dancers' shawls and belts.
This painting depicts the performers of the Hopi Corn Dance. Louis Lomayesva omitted the background in his images, thereby emphasizing the figures while adding a timeless quality. His paintings nevertheless mirror reality, as seen here in the fine details of the woven designs on the dancers’ shawls and belts.
Lomayesva was one of several artists who incorporated traditional Native painting styles from hides, pottery, and murals with the European-derived medium of watercolor to create a new Native American art form.
Dick S. Ramsay Fund
This data has been provided to the RRN by the Brooklyn Museum. We've used it to provide the information on the Data tab.
Also known as Lewis Lomay.(1913-1996) Native American watercolor painting, depicting scenes from everyday life and ceremonial dances, arose in the 1920s, stimulated by growing interest among white patrons. Drawing from a long tradition of painted hides, pottery, and wall murals, artists incorporated native painting styles with the European-derived medium of watercolor to create a new Native American art form. At the heart of this movement were various self-taught artists from the southwestern United States, particularly from Hopi and Pueblo cultures. In 1930 the Brooklyn Museum was one of the first museums in the country to feature an exhibition of watercolors by Native American painters from the Southwest. Here Louis Lomayesva (b. 1913) depicts the dancers and drummers of the Hopi Corn Dance. Representing life , corn is the most important symbol for the Hopi. Like many of his contemporary Native American watercolor artists watercolorists, Lomayesva omitted the background in his images , thereby emphasizing the figures while adding a timeless quality. At the same time, his paintings mirror reality, as seen in the fine details of the woven designs on the dancers' shawls and belts.
This painting depicts the performers of the Hopi Corn Dance. Louis Lomayesva omitted the background in his images, thereby emphasizing the figures while adding a timeless quality. His paintings nevertheless mirror reality, as seen here in the fine details of the woven designs on the dancers’ shawls and belts. <br /> <br /> Lomayesva was one of several artists who incorporated traditional Native painting styles from hides, pottery, and murals with the European-derived medium of watercolor to create a new Native American art form.
Dick S. Ramsay Fund
Let the RRN community answer your questions
With an account, you can ask other users a question about this item. Request an Account
Share your knowlege of this item with the RRN community
With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account