Plaque with Crocodile Deity Item Number: 33.448.12 from the Brooklyn Museum
Description
Plaque of hammered gold with an embossed anthropomorphic reptilian figure. Similar figures also appear on painted pottery and cast goldwork. The six pierced holes indicate that it was probably attached to a garment. Condition: good; there are small tears along the edges and in the interior, but all are stable. The six pierced holes have jagged edges and there are concentrated burnishing marks in the repoussé. Label text: Among pre-Columbian cultures, gold was associated with the life-renewing properties of the sun, and therefore had sacred and supernatural powers. Gold ornaments were usually reserved for elite members of society. Large plaques embossed with designs of crocodilian deities, accompanied the burials of paramount chiefs and other high-ranking members of ancient Panamanian society. Label from "Life, Death, Transformation" Exhibition, 2013: In Panama the Crocodile God was the principal deity for more than a thousand years and was most likely associated with strength, the sun and water, and fertility. The ruling elite probably wore prestige ornaments like this example in order to appropriate the power of crocodiles, fierce animals connected to the underworld since they float on water and drag their prey below to drown it. On this plaque the crocodilian being may be a creator god or a transformative image of the wearer. Smaller crocodiles surround the central figure, the triangular border design simulates the animal’s protective ridge-like scales. The small holes around the border were probably used to attach the ornament to clothing.
Credit Line
Museum Expedition 1931, Museum Collection Fund
Label
In Panama the Crocodile God was the principal deity for more than a thousand years and was most likely associated with strength, the sun and water, and fertility. The ruling elite probably wore prestige ornaments like this example in order to appropriate the power of crocodiles, fierce animals connected to the underworld since they float on water and drag their prey below to drown it. On this plaque the crocodilian being may be a creator god or a transformative image of the wearer. Smaller crocodiles surround the central figure, and the triangular border design simulates the animal’s protective ridge-like scales. The small holes around the border were probably used to attach the ornament to clothing.
En Panamá el Dios Cocodrilo fue la deidad principal por más de mil años y estaba probablemente asociado con la fortaleza, el sol y el agua, y la fertilidad. La élite gobernante posiblemente utilizaba ornamentos prestigiosos como éste para apropiarse del poder de los cocodrilos, fieros animales conectados al inframundo, ya que pueden flotar en el agua y arrastrar a su presa bajo ella para ahogarla. En esta placa el Ser Cocodrilo puede ser un dios creador o una imagen de transformación del usuario. Cocodrilos más pequeños rodean a la figura central, y el diseño triangular del borde simula las escamas sesgadas protectoras del animal. Los pequeños agujeros alrededor del borde eran usados posiblemente para asegurar el ornamento a la ropa.
Item History
- Made between 700 and 900
What
Who
- Culture
- Cocle
Where
- Holding Institution
- Brooklyn Museum
When
- Creation Date
- between 700 and 900
Other
- Location
- Arts of the Americas Galleries, 5th Floor
- Classification
- Ornament