Rod Puppet Item Number: Ib392 a-c from the MOA: University of British Columbia
Description
Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft that passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. Head positioned forwards; cream face with white eyes. Black pupils looking slightly downwards; black hair, moustache, facial details. Small closed red lips. Curved pointed nose. Large crown (mahkota) headdress in red, gold and green; includes Garuda Mungkur and large badong. One hair curl (kendit) with gold stripe. Gold neck and torso; black chest and shoulder covering with rectangular apron; white trim, sequins, twisted wire decorations. Yellow frill at base of apron. Long batik skirt in beige, orange, blue and red. Each arm has ornaments in red, white, and green at wrist and bicep.
History Of Use
Javanese puppetry as an art form probably developed by the 11th century. Wayang golek puppets of western Java appeared during the 16th century. Originally the plays depicted Javanese mythology, but after the Indian conquest of Java the Hindu epics, Ramayana and Mahabharata, were incorporated into the cycles, which comprise about 200 plays. A dalang (puppet master) performs the plays to celebrate important occasions, usually in three acts, with vocal and instrumental accompaniment. Typically they serve a moral and religious purpose, and more recently, one of political commentary. Shiva is the king of the Hindu pantheon; his sons are the predominant gods. He is found in all cycles. His puppet is known to have many manifestations because of the regularity of his appearances.
Iconographic Meaning
Each puppet is characterized by its wanda, a Javanese word which describes the specific mixture of elements of size, form, colour, ornamentation and carving. Crown indicates noble of the highest order, either a king (prabu) or a god (betara). Cream face less refined with white; curved nose less refined than straight. Position of hands, eyes, and clothing, headdress, and arm ornaments suggest nobility. Headdress and face resemble standard Shiva closely; the puppet seems to be a slight variation for a particular mood, state, or play.
Cultural Context
Theatrical performance.
Item History
- Made in Java, Indonesia
- Owned by Donald Bone before January 4, 1980
- Received from Donald Bone (Seller) and Museum of Anthropology Donations Fund (Funding source) on January 4, 1980
What
- Name
- Rod Puppet
- Identification Number
- Ib392 a-c
- Type of Item
- puppet
- Material
- paint, wood, fibre and cotton fibre
- Manufacturing Technique
- carved, woven, sewn, tied and painted
- Part A
- height 59.0 cm, width 21.5 cm, depth 6.0 cm
- Part B
- height 20.0 cm, width 8.5 cm, depth 17.0 cm
- Part C
- height 41.1 cm, width 2.3 cm, depth 1.5 cm
Who
- Culture
- Sundanese
- Previous Owner
- Donald Bone
- Received from
- Donald Bone (Seller) and Museum of Anthropology Donations Fund (Funding source)
Where
- Holding Institution
- MOA: University of British Columbia
- Made in
- Java, Indonesia
When
- Ownership Date
- before January 4, 1980
- Acquisition Date
- on January 4, 1980
Other
- Condition
- fair
- Accession Number
- 0586/0011 a-c