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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Carved wooden, crooked beak headdress, or mask. The beak has red tear shaped nostrils with detailed white s-forms and a central frill that curves inward to the centre tip of the beak. The mouth is red, flat and protruding; bottom part of jaw is hinged with rectangular pieces of leather. The face is black with white detailing. The eyes are black outlined in white and red on a white, ovoid shaped ground; brow is black. The inside of the mask is hollow with the exception of a piece twisted twine through the lower beak. Attached to the top are short, bundles of cedar stripes. There is a small tuft of eagle down in the cedar. The mask is painted black, white and red with Northwest Coast stylized forms.

History Of Use

Worn by female attendant, hiligaxste', in taming Hamats!a dancer. The masks are worn on the forehead, and the wearer's body is hidden by a covering of shredded cedar bark, giving the dancer a distinctive bird-like appearance. The dance is a special hopping step and they have a unique "hop" cry.

Iconographic Meaning

Crooked Beak of Heaven, Galugwadze, one servant of Cannibal at the North End of the World, Baxbakwalanuksiwe'.

Cultural Context

ceremonial

Item History

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