Temple Block Item Number: 3110/16 from the MOA: University of British Columbia

Description

Red "wooden fish" temple block. Inner bell is un-painted. Top handle has a row of carved triangular wedges in a pattern. An arch-shaped hole under the handle is above a carving of two half-moon shapes; topped with a pattern of shallow lines above them. This half-moon decoration is present on both sides, and painted metallic gold.

History Of Use

This type of instrument is called a ‘wooden fish’ (in traditional Chinese, written as 木魚). It is also known as a Chinese temple block, and is a wooden percussion instrument used by monks and lay people in the Mahayana Buddhist tradition. It's often used during rituals involving the recitation of sutras, mantras, or other Buddhist texts.

Narrative

The items in the Chen Pu Yi collection (3110/1-27) belonged to the donor's grandmother, who passed away in 1983, at the age of 74. She was born in the Fujian province of China to a peasant family. Her father was an opium addict and was heavily in debt. She was sold into a well-off family in the city as a maid at 13. Soon after it was arranged that she would marry the younger son of that family. It was an unhappy union from the beginning as they shared little in common and, as an uneducated peasant girl, she was not considered to be a worthy life companion. Soon after the marriage his grandfather took on other mistresses and wives, and the relationship was marked by quarrels. Feeling trapped, and as a victim to circumstance, Chen Pu Yi resorted to a prayerful and contemplative life as a devout Buddhist. She could not read or write, but she was able to memorize by heart the scripts in the books. She recited them from cover to cover every morning for the rest of her life, as she prayed and meditated. She moved from China to Hong Kong after the war and later, with her eldest son, to Vancouver. She was a kind, gentle and generous person and in her quiet, simple way she endured and perservered. The donor felt her story to be typical of many women growing up in China at that time, and hoped the collection would help convey the story to younger generations.