Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Mamulengo string puppet (marionette) of a male character. Head, hands and feet carved from wood and painted. He has brown skin, bald head, a closed mouth with red lips, and wide green eyes. He wears red floral pants and a long-sleeved yellow floral top. The fabric is adhered to the hands and head, and wrapped with shiny bright blue ribbon at the wrists, cuffs, and neck. Attached by several black strings to a wooden T-shaped control bar.

History Of Use

The puppet represents a character from a form of popular puppet theatre, found in northeastern Brazil, called mamulengo. This type of theatre is prevalent in disenfranchised communities with ancestral ties to colonized Indigenous peoples and uprooted, enslaved Africans. Mamulengo performances are entertaining events that can last all night long, with puppeteers (mamulengueiros) using 70 to 100 puppets in one staging. The stages are pop-up stands (empanadas), made of brightly coloured, floral-printed cloth. The shows consist of short sequences (passagens), or skits from popular stories that expose the inequalities and dramas of everyday life, profiling stock characters such as rich landowners and peasant labourers. The whole is spun together with humour, satire, lively music, and audience commentary.

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items