Thorn carving depicting a teaching scene. Figures adhered to a rectangular particle board base with corners cut off. Scene features five figures seated around a panel of text. Four figures hold stick-like objects in their hands, but the figure on the end has an empty hand and appears to be missing his stick.

Thorn carving depicting a village scene. Figures adhered to a rectangular particle board base. Four small cylindrical huts with conical roofs are situated one in each corner. The hut walls and ground are layered with a grayish earth(?). Around the huts, eight small figures. At centre, three women, two with children on their backs, are sweeping and stirring jars. There are three male figures, one carrying wood and two seated.

Staff or dance wand. Wooden carving depicting a male figure riding on horseback. The figure has what appears to be a snake draped over his shoulders. The horse is disproportionately small. His elongated head sits at an angle on his long neck. He has large eyes and three horizontal lines on each cheek. Extending up from his head is a large double axe-shaped headdress that curves down to points on each side. The handle is cylindrical and plain, with a small looped end.

Large staff built on a wood armature with an iron blade and phallic handle. The wooden hilt is studded, wrapped in iron with iron cap. The blade tapers in towards the tip. Towards the top there is a small square cutout with a cross etched on each side. Above and below, the thin area is wrapped in iron. The blade itself is also etched with various designs, however the metal is rusted.

Nude female figure standing on a tall cylindrical base. The female holds her arms down at her side, has a protruding abdomen, and large pointed breasts. The figure is covered in white dots and orange pigment which has collected in the grooves. She has large bulging eyes, and three vertical marks on each cheek. On her head she wears some sort of headdress, which has deteriorated and is not complete. The cylindrical base is also deteriorated with notable insect damage.

Egungun helmet mask carved from blackened wood. Round head with large bulging white eyes, large ears, a flat broad nose, and broad mouth with serrated teeth. Depicted with facial marks, with c. three vertical and three horizontal lines beneath on both cheeks; three horizontal lines on the forehead. A large braided hairstyle or headdress extends from the top of the head down to the left, tapering to a knob end.

Helmet mask. The mask depicts a red human face with a black brow ridge, black outlining the eyes, and black and white scarification on the cheeks (three vertical lines). The stout head has a small, wide face at the front, and a coiffure or headdress with three horizontal crests. Behind each ear is a fibre strap.

Tall carved staff, with a kneeling, nude, male figure atop a large pedestal, of almost equal height, at the bottom. The figure holds a long-barreled firearm across the front of his body, and an infant on his back. He has a round head with round protruding features, and a long hairstyle that extends down his behind him and is decorated with calabash(?). On the side of each leg is a knife. The pedestal is somewhat cylindrical at the top, before expanding and tapering three times towards the bottom. The top of the pedestal is wrapped by snakes, and two lizards flank the sides.

Large staff built on a wood armature with an iron blade (part a) and phallic handle (part b) with loose coiled metal (part c). The wooden hilt is studded, wrapped in iron with iron cap. The blade tapers in towards the tip. Towards the top there is a small square cutout with a cross etched on each side. Above and below, the thin area is wrapped in iron. The blade itself is also etched with various designs, however the metal is rusted.

Staff or dance wand. Wooden carving depicting a male figure standing next to a sacrificial ram. The figure holds a double axe in his right hand. His elongated head sits at an angle on his short neck. He has large almond eyes, and six horizontal lines on each cheek. Extending up from his head is a large ornate double axe-shaped headdress that curves down to points on each side. The figures stand on a square platform with carved diagonal lines around the sides and a plain cylindrical handle beneath.