Off-white clay bowl with black painted design across interior. Central design is of large figure with very long phallus, being held up by three smaller figures. Large figure has their long hands held upright, with the palms up. They have spiked hair, small bun on the back of their head, diagonal line across cheek, and are wearing a checked collar. The smaller figures have braided(?) hair and protruding phalluses. Interior edge of bowl trimmed with five linear bands; outer bands are thicker than inner. Patterns stamped and done in relief across exterior sides of bowl. From top to bottom: swirls with human and animal motifs throughout, raised line, repeating words "OUR HISTORY", inverted stepped triangles, abstract diamonds inside ovals, alternating feathers and groupings of vertical lines, potted flowers, abstract linear motifs, and circles. Artist inscription, done in black, on base: artist mark. Judy Chartrand. Ancient Mimbres. circa: 1100 AD. "WAKUSOYO". Tewa language.

Painted replica of a Tsimshian house screen board in MOA's collection.

Painted replica of one section of a Tsimshian house screen board; pair of boards mounted together, DC5.1 and DC5.2.

Small round off-white dish painted with black and green design elements. Inside of dish has design of a bird-like creature holding a fish in its claw. The upper creature has a fin on its head and a wing and tail. Both have black outlines with black and green elements. Black circle painted in the centre; black and green painted around the top of rim, with seven sets of three unpainted lines. The base has the Lambert Potteries stamp and a hand-written inscription: Salish Spindle Whorl / Hand-painted / T.

Multi-piece ceramic sculpture of a black ship hull with a crushed can, twisted product tube, log, and pitted sphere bolted onto it (part a). The can and product tube are black; tube has a red cap. The log is grey and dark brown, and covered with a small black blanket; olive green sphere, representing COVID-19, is perched on top of blanket. Additional components rest on the hull and sit around it; additional pieces are: small, crushed olive green can (part b), small, crushed black can (part c), grey pitted COVID-19 sphere (part d), and a dark brown flower with a wilted stem (part e). Ship hull, cans, and green sphere are glazed; rest of sculpture is painted.

Small jar (part a) with a lid (part b). The jar's form is somewhat hourglass-shaped, with more proportional upper and lower sections, with concave midsection. The lower section has a slight taper in to the base. In the upper section, there are three flattened areas marked with rows of texture. The rim is brown, just below the lip. The interior of the jar and underside of the lid are a light grey-blue. The lid is flat, circular and has a flange to fit within opening of the jar.

Lidded teapot with bamboo handle. The seven-sided teapot has a light grey with black glaze. The rim is unglazed and dark red-brown. The curved handle is attached by a small loop behind the spout, and another on the opposite side of mouth. Each end of the handle is folded back upon itself and secured with a small braided band. The recessed lid has a small knob handle.

Tall round bowl with a black glaze, heavily speckled with olive green, and with a dark red-brown lip. The interior is a concave bowl. The base has several adhesive labels attached.

Small bowl with a stepped cone body, flaring out to the lip. The interior is a concave bowl. The body is light grey with dark grey, and a single band of dark grey or green-grey marking each change in the shape. Artist's stamped mark, 'CJ' within a circle, on exterior of raised foot.

Small bowl form curves from foot, flaring out sharply to a lip; raised foot; body, light pink-orange colour, with dark red-brown around the rim. The exterior of the bowl has a light pink-orange colour, with a band of darker pink-orange above the foot. Artist's stamped mark, 'CJ' within a circle, on exterior of low foot.