ceramic fragment; white; from a plate?; smallest fragment; chip CR

ceramic fragment; white; from a plate?; chip TL

ceramic fragment; white; from a plate?; discolouration in a few places; smaller than SN2001.5.3

Museum Expedition 1941, Frank L. Babbott Fund

Birds are among the most often portrayed animals in the pre-Columbian art of Central America. Their song and ability to fly were greatly admired traits, and whistles like the charming examples seen here would have reproduced a bird’s melodic call almost perfectly. The polychrome whistle on the right has a painted lattice design, and the one on the left is adorned with incised lines, triangles, and circles filled with white pigment. Both types of decoration suggest bird feathers.


Los pájaros están entre los animales más representados en el arte precolombino de América Central. Sus canciones y habilidad para volar eran cualidades enormemente admiradas, y silbatos como los encantadores ejemplos que se aprecian aquí pueden haber reproducido el sonido melodioso de los pájaros casi a la perfección. El silbato policromo a la derecha tiene un diseño de encaje pintado, y el de la izquierda está adornado con líneas incisas, triángulos, y círculos rellenos con pigmento blanco. Ambos tipos de decoración sugieren plumas de pájaros.

Charles Stewart Smith Memorial Fund

Carll H. de Silver Fund

Museum Expedition 1941, Frank L. Babbott Fund

Ella C. Woodward Memorial Fund

Double-spout, bridge-handle vessel with a rounded base and four concave walls. The exterior of the vessel is decorated with elaborate painted images of the "horrible bird" figure displayed within a white oval on each side, surrounded by painted images of plants, snakes, lizards, stars/flowers, and birds. The top of the vessel is decorated with four modeled intertwined snakes surrounded by painted ones. The "horrible bird" is an anthropomorphic raptorial bird, probably a combination of condor and hawk, that represents two of the most powerful forces of the sky (see Donald Proulx, A Sourcebook of Nasca Ceramic Iconography, Iowa City: University of Iowa Press, 2006, pp.79-82). On this vessel it consists of a profile bird head at top with a open beak consuming a trophy head, a body surrounded by abstract feathers, and another trophy head between two human legs. Condition: good.