Men’s apron ornament. Ornament is made of woven red yarn, with a short waist band and long ties that fasten at back. From waist hang three flaps of approximately 10 cm in length, white cowrie shells attached by plastic thread to the hem. At their bottoms hang long, thick tufts of straight animal hair, ranging in colour from light yellow-brown to dark brown or black.

Neck ornament. Twined plant fibre makes up the thick rope of the necklace, culminating at bottom in a small woven crocodile head with cowrie shells for eyes and an open mouth. Bright pigment colouring in black, red and orange. It is constructed around two curved tusks that emerge from the crocodile's neck and curl down below the mouth.

Skirt of shells hung from plaited coconut fibre cords. The skirt consists of many lengths of small white and yellow shells strung by natural fibre, which are then tied to two cords of plaited coconut fibre. One strand has five smaller different shells. (Small piece of tape with collector number attached to cord.)

Standing wooden ancestor figure. Face takes the shape of a large oval mask with flattened cheeks, a sharp, raised ridge running from forehead to nose. Eyes are large inset shells, with three small animal claws are adhered to the forehead above. Nostrils are wide and lips protrude. Face is painted a light brown with dark brown and red-brown designs in small crescents and curving lines surrounding eyes and cheeks and tracing nose. Cowrie shells line chin and brow and cassowary feathers stand out from head and jaw to create hair and beard. Body stands with feet planted on a small rounded base, knees slightly bent, arms hanging at sides, stomach distended. Decorative bands are carved into lower legs and upper arms, and a plaque with carved face sits on chest. A woven loin cloth is tied around waist. Ties of plant fibre are at ankles, wrists, and ears.

Wood carving of a crocodile. Animal is shown at rest, with legs bent and at the sides, tail curved around at back, head extending straight from neck. Surface of body on both top and underside of object is carved to look like scales of various sizes. Head is painted in brown, light grey, orange and yellow, with rows of painted teeth showing between lips, and cowrie shells for eyes.

Narrow navel belt with vertical embroidery on ends. Ends feature section of applique with narrow multicolour stripes between thick coloured sections. Applique shells are attached to beaded tassels. Ends of belt are fringed.

Band of braided plant fibre with cowrie shells. The largest shells are stitched to the middle section, with smaller shells near the ends.

The Elizabeth Cole Butler Collection.

Standing female figure (ibeji) on square base. Female stands upright with arms connected to waist. Round eyes are closed with 3 pointed lines carved under each. Ears are flat against the head. Fibre loops strung with small oval shells are tied around each arm. Stylized triangles are carved into the chest and lower back. Breasts form rounded points. Headdress is short with a ridge extending around the head. Raised vertical lines connect to the middle of the ridge to form a flat triangle. Horizontal lines circle all parts of the headdress with traces of blue pigment remaining in the crevices.

Horned cap-like headdress. Helmet (part a) is made of half a rounded gourd, with rows of cowrie shells evenly sewn on in concentric circles, nearly covering the outer surface. Two long, curving horns, heavily ridged, emerge from the top of the headdress, tips pointing inward toward each other. (One horn--part b--can be removed.) From the rim of the gourd hangs a chin strap of braided tan and black leather with a leather tassel painted with black lines attached at centre along side a long, thin strap of leather covered on one side with cowrie shells, ending in a similar tassel . Parts 'c' through 'i' are similar strips that are detached from the headdress.