Standing wood female figure (ibeji). Elaborate headdress. All facial features, breasts, and ears are enlarged. Ears are pierced. Three vertical scarification marks on cheeks, and chin, and four horizontal ones on the cheeks. Arms are extended with hands touching thighs. A black glass bead bracelet hangs from the figure's left wrist. Backbone is indicated by deep incised line in centre of back. Has short legs and large feet. Stands on a plain circular pedestal. Grooves on figure are filled with red earth and in hair are traces of indigo.

Pouch of red wool with six sides and a blue ribbon border with white beads along the edge. Two beads lie flat and a third on edge. On one side there are is a four-petaled flower design in the centre, surrounded by concentric circles of different coloured beads, some in a zigzag pattern forming the otter design. Outside the circle there is a double-curl motif. On the other side there is a series of diamond shapes in the centre, surrounded by the "otter" design and the double curve motif. The beads are sewn on by the 'lazy stitch' method, the beads are threaded and looped to the material every sixth bead. The interior is lined with tan fabric.

Spoon carved from one piece of black mountain goat horn with a humanoid face inlaid with brown glass (?) carved at the junction of the bowl and handle. The handle is carved with transverse parallel lines.

Deep red-brown wood bowl in the shape of a seal. Shaped as a smooth, rounded seal's head at one end with inlaid oval abalone shell eyes surrounded by a carved tapering oval, a nose that has inward bored circular nostrils with a vertical ridge in between, and an open mouth showing a tongue. The other end is shaped as a tail enclosed by u-shaped piece representing flippers consisting of a central shell inset ovoid and three horizontal bands with eight, nine or ten small circular insets. Flipper design carved at each side behind the head consisting of a central shell inset ovoid, a split u, and four curvi-linear lines with four or five small circular insets along the upper three. The tail is also outlined by small circular insets. In between the side flippers and the back flippers, there is a central shell inset ovoid. Flat rim is inlaid with nine opercula. Back of seal is concave, forming a dish. Carved areas are inlaid with opercula, abalone, and beads.

Wood bowl in the shape of a seabird, probably a loon, with the neck extended outward and forward and the back hollowed to form a dish. The bird has circular abalone shell inlaid eyes surrounded by a plain tapering oval and a beak covered with red ochre. The body of the bird is painted black with eight oval opercula inset around the rim. On the upper surface of the tail, there is a face design that has small white circular inset bead eyes surrounded by an oval and a tapering oval, a nose, and an open mouth coated with red ochre showing four plain teeth.

Standing wood male figure (ibeji) on round base. Figure has a long trunk and arms on short stocky legs. Arms are at the sides. Has protruding stomach, nipples, buttocks, and genitalia. Large head with facial features in relief of large protruding eyes having incised eyelids. Arranged on each cheek, there are seven incised notches with three at the forehead. Large pierced ears placed far back on head. Earring of strung white shell(?) beads and one jasper disc. Tall pointed four-sided headdress with knob at top is patterned with incised lines, of which the recesses are filled with indigo. Arm on the right has plain silver bracelet. Two strings of dark horn beads at waist. Necklace of blue glass(?). Incising at back of head, spine, and stomach. Carved wood piece with dark brown patina and red camwood paste in areas.

A grass necklace consists of four chains of small circles of braided grass. At each end, the chains are combined to form two short ends. These are finished by tying on two, 3.5cm. long strings of multi-coloured glass (?) and metal (?) beads strung on a fine twined piece of grass to form the neck ties.

Calabash gourd container (part a) on a coiled fibre base with all-over bead design and stopper (part b) in the form of a bird head. Design repeats complex red, orange, blue, black, and white geometric forms on the body, the base, the neck, and the bird-like features on the head which include eyes. Hollow base is outlined with shell while the interior of the base is lined with burlap stitched to finer burlap covering the calabash. Wood stopper (part b) is covered at the joint with striped cotton and is secured to the outer bead layer with a nail.

Two equal length strands of glass beads and coins consisting of opaque small cylindrical red, orange, blue and clear beads; small and large, diamond shaped, transparent light yellow and green beads. Each strand contains coins; one with a 1901 half-real and a 1912 one-real, the other with three 1912 one-real coins. Twine holds the beads and joins the strands.

Male samurai figure (part a) seated on horse (part b) with one arm perpendicular to body, holding a rattan staff (part c) with his right hand. Left arm rests near long curved sword, attached to waist with silk cord. Quiver with five arrows on back. Figure made of straw, has white ceramic face and black fibre wig, dressed in gold silk brocade, with armour of gold coloured metal lamellae laced with red and pale blue silk and brown leather. Horse (part b) of paper mache(?) is covered in imitation grey fur. Brown glass eyes. Reins of purple and white diagonal striped silk, bridle and long body fringe of red silk, saddle of leather, lacquer, silk and fur.