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Woman’s backless blouse with plain bodice, pieced from blue, yellow and red cotton broadcloth, and decorative elbow length sleeves, pieced from panels of embroidery and jacquard-woven ribbon. It has a V neckline in the front and ties at the centre back neck and at the waist with self-fabric ties. The embroidered panels on the sleeves are embellished with metal sequins and mirrors. There is a small pocket on the lower right side of the blouse.
Maroon velvet surcoat heavily ornamented with gold. The woman’s coat has a fitted bodice and full, calf-length skirt. The bodice and skirt are almost entirely covered with scrollwork embroidery, worked with metallic gold cord and metallic gold thread, except for a plain panel on each side of the bodice front and at the centre of the bodice back. The bodice is sleeveless in the front; there are long, flat panels that suggest sleeves, attached at the shoulders and back arms; these are worn crossed and fastened with hook and eye at the centre back below the waist. The edges of the bodice meet at centre front; although there are eight decorative buttons on each side of the centre front opening of the bodice, there is no provision for fastening. Buttons are made of metallic gold thread wrapped around a wooden core, trimmed with small coral beads. Smaller buttons at the bottom edge of "sleeves." There are pockets on each side of the skirt, just below the waist. All edges are bound with patterned silver ribbon and five rows of heavy gold cord. The garment, which is very stiff and heavy, is entirely interlined with animal skin, which supports the weight of the metallic embroidery. Bodice and skirt are lined with orange cotton damask; sleeves are lined with striped black, white and yellow cotton broadcloth.
A rectangular embroidered wall hanging. Black background with three words in script, "Drollin blessi heimili?", surrounded by decorative green stems, vines, leaves, and white, blue, and yellow flowers. Rough cut at the edges.
A flat, embroidered seat cover. It appears to be shaped to fit a large bicycle seat. It is constructed from blue cotton textile (that has faded to a blue gray colour on the front side of the object), which is profusely embroidered in chain stitch with bright orange and mustard yellow silk or rayon floss, using a meandering pattern, along with paisley motifs and designs that perhaps represent peacocks. A small hooked sun disc motif, enclosed in a circle, appears in the centre, and along the perimeter of the design field are several small discs made from yellow, green and white glass beads. Some gold metallic braid is incorporated into the design. The embroidered textile is edged with a dense fringe made from twisted dark red fibre (faded) and white glass beads, and a ruffle made from dark green synthetic knitted textile. The embroidery is backed with red cotton textile.
Embroidered textile panel for a blouse front. The embroidery is worked on gray-green cotton textile, with predominantly red and purple/mauve geometric designs and mirrorwork. The designs are outlined in black and orange. The embroidery is underlined with bright pink block printed cotton gauze. A strip of bright green embroidered cotton textile (15.8 cm wide) is sewn to the lower edge; the colours of this strip, as well as the style of embroidery, are different from those used on the upper portion of the textile.
Square embroidered domestic textile, with large naturalistic floral designs stitched with silk floss in many colours on red cotton fabric. There is a large circular floral pattern in the centre and an arrangement of flowers, leaves and stems in each corner of the square. A border of meandering stems, leaves and flowers forms a frame around the outside edges of the square. The background textile was pieced together from narrow strips before the embroidered patterns were worked. The edges are, for the most part, unfinished, although needle marks along some edges indicate that an edging, such as braid or fringe, may once have been in place.
Flat, rectangular, decorative bag, made from two different types of textile. The front of the bag is made from very finely embroidered, multi-coloured textile with patterns that resemble an ikat weaving. The back of the bag is made from a cotton warp face ikat textile with large red and yellow patterning on an off-white background. All four edges of the front of the bag are finished with narrow multi-coloured tablet-woven braids. The sides and bottom edge of the bag are trimmed with dense, long (11 cm), multi-coloured, twisted fringe (red, dark yellow, purple, off-white, brown, green and blue). The opening of the bag is trimmed with four multi-coloured tassels. The front of the bag is lined with a loosely woven, printed, tan cotton textile.
Small, embroidered, red envelope style bag, made by folding and stitching three corners of a multi-coloured embroidered square together, leaving the fourth corner open as a flap. The central design motif is a hooked sun disc (circular medallion surrounded by numerous spiral ‘arms’) set within a square, which is surrounded by a row of mirrors and geometric border designs. The majority of the embroidered motifs are worked in fine chain stitch. All edges are finished with a heavy black cord that is couched in place with gold metallic thread. A narrow black cord is attached at the point of the flap. The bag is lined with tan and green machine printed cotton textile with a small floral pattern.
Bag, made by bringing three corners of a square piece together, leaving the fourth corner open as a flap. The front of the bag is embroidered with a large multi-coloured sun symbol in the centre surrounded by several decorative borders. There is an orange pompom and a length of green twisted cord attached at the point of the flap. The back of the bag is decorated with three red pompoms.
Woman's sash made from a length of ribbon that has been embroidered with pastel flower motifs. The circular design is repeated every 10.2 cm. The centre section is stiffened with starched cotton gauze. Ends are finished with yellow, orange, and gold sequined braid.