SPIRITS LIKE THE SOUND OF THE RATTLE AND DRUM: GEORGE THORNTON EMMONS' COLLECTION OF TLINGIT SHAMANS' KITS. ILIFF, BARBARA ELIZABETH DISSERTATION, 1994

Thorn carving depicting a group of people at a market. Figures adhered to rectangular particle board base. Figures are wearing various outfits including dresses, hats, pants, skirts and short sleeved shirts. Four women have babies strapped to their waists. There are two rows of three tables in the scene, each with a vendor and customer. All vendors are sitting on cylindrical stools. Three vendors are selling food, one is selling pottery, one is selling textiles and one is selling(?) combs. The textile vendor has a sewing machine and is in the process of making a white and blue striped cotton cloth. The comb vendor(?) is brushing the hair of a kneeling figure. There is a small bowl to the right of them. Base, figure outfits, five vendor tables tops and half of the food are light yellow-brown. Figures, stools, pots, sewing machine, one table top, all table bases, combs, bowl and half of food are dark brown. Donor initials on base.

Thorn carving depicting a group of eight musicians. Figures adhered to square particle board base. All are sitting in a circle on cylindrical stools, facing one another. All figures are wearing long, short-sleeved tunics. Figures in corners wearing hats. Four figures are playing different types of drums, two by hand and two with sticks. Drum in bottom left corner has a white and yellow cloth strap and is being played with one curved stick. Other figures are playing a stringed instrument, horn, pot(?) and wood block instrument. Stools, figure outfits, horn, pot(?), drum heads, sticks and square base are light yellow-brown. Figures, the shells of the drums and wood block are dark brown. Donor initials on base.

Tall, thin carving of eight figures, stacked one above the other, in a vertical design. Straight on, the eight elongated heads are separated with a hand underneath each head. From the side, the trunk of each body is horizontal with limbs creating an X-shape underneath. All of the figures are connected by a single long wooden shaft at the back.

Carving of a family on a flat rectangular base. A large man sits on the ground with his knees up and hands on his knees. His head is tilted back so he faces straight up. At the other end, a woman sits facing away from the man with her left leg extended and right leg crossed in, and a child reclining on her leg.

Two carved stone figures (parts a-b), pegged onto separate stone base (part c). The larger standing figure (part a) holds a knife in each hand (parts d-e), while the smaller figure (part b) appears to be falling backward towards the ground while clutching their chest with their left hand.

Thorn carving depicting a canoe full of people and goods. Ten figures are shown seated in the canoe. At the prow are a few large bundles and a person wearing a large hat paddling. Through the middle of the canoe are people seated in pairs with small jars and bundles around them. At the stern another person is paddling.

Thorn carving depicting a firing squad execution scene (part a). Figures adhered to a rectangular particle board base. Along one edge are four military figures in army fatigues (layered wood chips) armed with large guns - one figure detached and detached head. Opposite are four condemned figures who are each tied to a post and blindfolded. The inscription on the base reads: "Bar Beach, Lagos, Nigeria. 25 May 1971. Public execution televised throughout federation."

Thorn carving depicting a person worshipping a large carved face with a dish and bowl nearby. The person is shown on their knees, bowing down with hands held in prayer. Figure adhered to a rectangular pressed board base with a stamp on the bottom: "Isaac [illegible] Ibadan".

Thorn carving depicting two figures watching television. Figures adhered to a rectangular pressed board base. One figure is seated, and the other is leaning down to their level. The TV sits on a tripod base, and there are various dishes on the floor.