Pot (part a) with separate lid (part b); made from red-brown clay. Pot has a circular opening, with straight lip, that extends onto a rounded shoulder, and tapers to a circular base. Opening and shoulder are decorated with black painted designs, from top to bottom: solid line, dashed line, band with wavy line through middle, and band with columns of repeating triangles. Similar band with columns of repeating triangles painted around bottom edge of pot. Brown glaze, that has grey and gold streaks throughout, applied to interior. Lid is dome-shaped with a lip that extends slightly past opening of pot; has a straight flange on bottom. Exterior edge is decorated with two black painted designs: dashed line and band with wavy line through middle. Artist initials and year made(?) painted on base.

Small round pot that flares slightly at base; made of red-brown clay. Clear glaze applied across interior; light grey-green glaze, with light blue highlights, applied to exterior rim and interior edge of opening. Repeating pairs of Northwest Coast U-form design elements painted in black around unglazed section; alternating between right side up and upside down. Artist initials painted on flat base.

Short pot with flared lip, and slightly curved body that tapers to a flat, circular base; made from red-brown clay. Dark brown glaze applied to interior and pot opening. Northwest Coast design elements painted in black across entire body. Artist initials painted on base.

Coffee pot (dallah) with bulbous lower body that tapers in the middle and flares out slightly to the top. The hinged bell-shaped lid is topped with a tall finial. The curved handle is wrapped with a strip of black leather with thin sheets of metal woven in. There is a long crescent-shaped spout with a hinged metal flap that can be secured in place with a curled end. The body is engraved with two pairs of rings around the bulbous middle, and punched with repeating designs around the lid and upper portion of the pot.

Coffee pot (dallah) with wide cylindrical lower body that tapers in the middle and flares out slightly to the top. The hinged lid is topped with a tall finial. There is a curved handle and a long crescent-shaped spout. The upper body and lid are punched with repeating geometric designs. Stamped between the two rows of designs.

Pot (part a) with lid (part b). The pot is decorated with incised geometric patterns. Three two-headed lizard-like animals, or six lizard-like animals crossed over each other, are equally spread out across the centre of the pot. 22 metal strands extend down from the bottom of the pot and curve to connect with a circular piece of metal, forming a base for the pot. Two of these metal pieces are thicker than the rest and are decorated with incised patterns. The lid depicts a large frog-like animal and a small, but long, snake-like animal with their mouths connected. Two nail-like shapes stick out of the lid on either side of the animals.

Small clay pot with a flared neck and wide shoulder which tapers in to a raised circular foot. Incised designs around the neck of repeating dots, and on sides - a column of repeating turned v's bordered with three solid lines and one dashed line on either side. This is repeated three times, with incised information between each design - 'Papua New Guinea', 'Bilbil Village', and 'Madang Province'.

Red clay pot with burn marks throughout. Pot has a flared neck and wide, steep shoulder, that tapers to a rounded base with three stout legs. Pot has two beak-spouts on either side of circular opening; spouts and neck have ridged sides. Dots and lines border bottom edges of openings; dots done in relief, lines are incised. Edge of shoulder is decorated with two rows of imprinted dots. Columns of chevrons are incised on main body of pot, and on shoulder; columns point towards one another. The place made information isincised into side of pot: 'Papua New Guinea', 'Bilbil Village', and 'Madang Province'.

Small lidded pot with burnished finish. Pot (part a) has a wide mouth, and sloped and rounded shoulder that narrows to a small flat base. Artist signature, date made, and title incised on base. Large circular lid (part b) is decorated across exterior surface with formline motifs, done in relief. Centre of design consists of a face with wide eyes, straight brows, large nose, and an open mouth with the tongue sticking out; markings on forehead and cheeks. Face is surrounded by a wide band, with protruding split U-shapes that extend to edge of lid. Lid has a long lip that curves downward; flange closer to centre of interior. Exterior surfaces of pot and lid range in colour from off-white to black; speckling throughout. Interiors are smooth and somewhat rough in texture; coloured light grey.

Circular, round-bottomed cooking pot made of off-white clay. Pot has large opening with a slightly flared lip. Body is wide at the shoulder, coming to a sharp ridge. Large semi-circular outlines extend from ridge, towards opening; done with orange-red pigment. Lip also coloured orange-red. Rest of pot is undecorated. Base and sides have burn marks.