Print depicting a duck in profile with a black and white body, a yellow beak and feet, and a green cheek. Below the image is written, "Qigalaq Lithograph 49/50 Dorset 1976 Kananginak," and the artist's name is written in Inuit syllabics. The Cape Dorset stylized red igloo seal is in the lower left-hand corner. The Canadian Eskimo Arts Council and the Cape Dorset Cooperative blind embossed stamps are in the lower right-hand corner.

Print depicting a sitting duck with a black and white body and brown beak. Below the image is written, "Mitiq Amaulik Lithograph 17/50 Dorset 1976 Kananginak," with the artist's name written in Inuit syllabics. The Cape Dorset stylized 'red igloo' seal and the printmaker's name are printe din the lower left-hand corner. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamps are in the lower right-hand corner.

Profile of a halibut outlined in black in Kwakwaka'wakw style. Main portion of the body is split black and white u forms. Tail has two red u forms with two black ovoids above them, the centre of which is yellow. Where the tail and body connect, there is an ovoid with a green ovoid at the centre. There are two multi-coloured fins with the bottom one in blue, green, light green, and red ovoids, u forms, and split u's. One half of the head is dashed with black lines and the other half is white with two lines in yellow and light green. Mouth and nostrils are red. There are scales on top of the outlines of the body and on the bottom. Black inscription below image. The print is on vertically rectangular, off-white paper.

Main print: four-armed, elephant-headed figure (Ganesh) with large paunch sits on grey plinth-like stone platform with a tall, arched, red-cushioned, gold backrest; inset on the lower front is a crouched rat. Male's leg on right folded into body; foot on left flat on floor, leg bent. Wears yellow dhoti, gold crown, jewelry, and gold snake at waist. Food and flower offerings on plate in front of him. Holds four objects, one in each hand: portion of one of his two white tusks, two gold sceptre-like objects, and white shell(?). Purple background. Male seated under ornately sculpted gold arch supported by two gold columns, moon on one side, sun on other, both with facial features. Print glued onto rectangular, brown sheet of paper. Two smaller prints are glued to the back. The larger of the two shows a standing four-armed woman wearing a white and gold sari and gold necklace. She holds lotus flowers in upper hand on right, and gold teapot in lower hand on left. Behind and to the left of her stands a four-armed blue-skinned man with red 'u' on his forehead, and wearing a gold headdress, pink shawl, and white garland around his neck. His upper hand on left holds a disc, hand on right holds conch shell; lower hand on left in upturned position, lower hand on right behind woman, not visible. Background is blue, with five large cobras in yellow-white halo, spread in fan shape over the man and woman. The signature on bottom left is 'Mulgaoker Art Studio.' The smaller print on the back is of a dark-haired female in a red and gold sari with a veil under one arm standing in front of a male dressed in white cloth pants; two streaming wraps, red one over shoulder, white one from waist; and wearing red and gold crown. With right hand he holds a large round container above female's head. Hand on left holds other end of female's veil. Female raises hand on left to support container over her head. Background is swirled green landscape. Indian script stamped, upper right. All colours subdued.

Rectangular print depicting Krishna with six black-haired females standing on dirt road in front of lush, dark green, treed landscape, temple and houses partially hidden in upper right. Four females on right in green, red, orange and gold saris and head veils. Each carry black jug on shoulder, one with jug on head. All four look back at male and female in red sari, as he reaches up with arm on right to pour white liquid from black jug female carries on head. Blue and green peacock in full display behind. Male carries stick-like object in hand on left. He wears peacock feather in jeweled tiara on head, yellow dhoti and a blue waist sash. He is adorned with floral garland around neck as well as pearl (?) necklaces, bracelets, and armbands. Remaining female looks on from left, smashed jugs and white liquid on ground in front of her.

Rectangular print depicting Vishnu, a four-armed, dark-haired male, standing on dark green wavy water. Clouded dark green sky meets sea. Clouds clear behind the sunburst yellow halo shape behind male's head. His crown is conical with opening for tuft of hair at top. Male wears floor-length, light yellow dhoti, garland of alternating pink, green, and white flowers, white pearl (?) necklaces, and open pink coat. He holds four objects, one in each hand: gold mace, yellow disc poised on finger, white shell with gold end, and pink lotus. Artist signature, V. H. Pandya in red at bottom left corner.

Rectangular calendar print depicting Vishnu, a four-armed male adorned with necklaces, bracelets, earrings, armlets and in a gold crown with yellow sunburst halo shape behind. He is wearing yellow and orange dhoti; floor-length from waist. He stands on top of rounded globe with cobras coiled around circumference. All float in blue green lake. Vishnu is flanked by two women wadding in the water; one in a green sari, the other red. Each holds a pink, red and green flower bouquet. Mottled blue and orange sky background. 'Printed in Germany', 'Sreeman Narayana' and 'Coconada 1928' written on print.

Rectangular shaped print of a dark-haired male, Krishna, playing the flute while standing, with his right leg crossed over his left. He is wearing a yellow dhoti and wrap, pink floral garland as well as gold anklets, bracelets, necklaces, earrings and nose ornament. There is a peacock feather in hair. On either side are two dark-haired females in background, one in green holding flower pink lotus, other in red holding garland. One cow licking male's heel and two calves, one beside each female; all three bovines are white. Scene occurs under leaf and bird-laden tree set in lush green landscape. Advertisement on base for 'glass merchants'.

Configurative design of a sea monster in Kwakwaka'wakw style. The figure is crouching on one knee and the other knee is at a right angle. The arms are out-stretched. The head is a large black outlined ovoid with blue-green eye sockets, teeth, a large red nostril and tongue with red, yellow, and black dash lines all over body. The arms are made of three ovoids of different sizes and are clawed as are the feet. It has fins on its back in u forms and multi-coloured ovoids. A creature is on its back with an open red mouth and ovoid eyes on the feet, knees, and shoulders. Black inscription below image. The print is on vertically rectangular, off-white paper.

Profile view of a crane with outstretched wing, multi-coloured feathers, head, and body. U forms and split u's in various colours are used for feathers as are dash lines on the body. One clawed hind limb is mostly black. On the breast, there0 is a face with a wide red mouth and nostrils. There is another face in the ovoid on the upper part of the spread wing. Long, pointed, light green beak with a red tongue. Black inscription below image. The print is on vertically rectangular, off-white paper.