Drawing Item Number: 3223/44 from the MOA: University of British Columbia

Description

A drawing on a blue coloured bookmark. The front-side is vertically oriented and is hand-drawn in pencil. The central drawing is a single killer whale with its mouth open; triangular teeth line both the upper and lower jaw. A blowhole at the back of the whale's head releases a stream of air. The body of the killer whale is formed of a pectoral flipper, a dorsal fin, and a tail. The pectoral fin is embellished with two unshaded tower-shapes. The dorsal fin is decorated with an elongated diamond, an oval with two intersecting lines, and two arches with a stripe patterns. The tail two tail flukes are symmetrical; between the flukes is a large unshaded oval with an elongated diamond inside. The reverse-side of the bookmark is machine-printed. Commercial information, including the bookstore's name, "The Phoenix Used and Rare Books," is printed in black ink.

History Of Use

These 62 small works (3223/1-62) comprise a collection of drawings in pencil, ink, pencil crayon, and felt pen made by the artist between the years 1968 and 2015. During that period the artist has identified himself by the following names: Ron Hamilton; Hupquatchew; Ki-ke-in; Kwayatsapalth; Chuuchkamalthnii; and Haa’yuups. The drawings are, for the most part, applied to the backs of bookmarks acquired from a range of bookshops; some are applied to other pieces of paper or cutouts from his earlier silkscreen prints. Many of the images represent killer whales, often in conjunction with accoutrements and symbols of Nuu-chah-nulth whaling. The juxtaposition of bookmark and representation of Nuu-chah-nulth himwits’a, or narrative, is a deliberate and meaningful placement of two distinct knowledge systems in relationship with one another. Ephemeral drawings like these were not created for the market; the artist has long made them for himself and sometimes as gifts for relatives and friends; they are a way of sharing his knowledge and experience about Nuu-chah-nulth ways of knowing, thinking about, and being in this world; they are expressive of what he calls kiitskiitsa: marks made with intention.