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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

A small ceramic whistle modeled in human form. Facial features and costume details are painted in white, dark red and black. Headdress or hat has a central vertical stripe and oblique hatching lines. Clay loop on back. Whistling chamber opens in foot area with another larger opening in 'chest' area.

History Of Use

Small whistles like this are often found in pairs and sound 1/4 note apart (Sawyer). The peaked cap figure appears in painted and modelled ceramics and on painted and embroidered textiles. He does not seem to be a major deity as he is often represented as small in size or in repetition.

Narrative

Nasca style, Early Intermediate Period, 0-100 C.E.

Iconographic Meaning

According to Alan Sawyer, the figure in the peaked cap is associated with fertility themes as he is frequently seen brandishing or bearing agricultural crop plants of various types. A ceramic representation of the same figure shows him with darts in one hand "...an oblique reference to the importance of warfare and trophy-head collection to crop fertility" (Sawyer 1979).

Item History

  • Made in Peru between 1 and 100
  • Collected between 1949 and 1966
  • Owned by Anonymous before May 4, 1981
  • Received from Anonymous (Donor) on May 4, 1981

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