Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

An effigy vessel in the form of a seated female with genitalia rendered in detail. A coarse-paste, thick walled ceramic that is oxidation fired with red slip and negative black decoration on face and body. Right hand is cupped over right breast; left hand and arm is missing. One bi-coloured ear-spool and, possibly a labret are now detached. Cylindrical spout and strap handle are roughly mended as well as vessel bottom.

History Of Use

This style appears from the north coast, perhaps intruding from the north (sawyer). The seated female may be covered with tattooing or painting or, alternatively the decoration may indicate clothing. The bi-colour ear spools may correspond to metallic ornaments (usually nose) of the Vicus Style.

Narrative

Negative Vicus Style, Early Intermediate Period, 300 B.C.E. - 200 C.E.

Iconographic Meaning

The gesture of hand cupping breast is seen in other Vicus ceramics (Lumbreras) but the meaning is not clear. Figures with primary male and female sexual characteristics share this gesture.

Item History

  • Made in Peru between 301 BCE and 200
  • Collected between 1949 and 1966
  • Owned by Anonymous before May 4, 1981
  • Received from Anonymous (Donor) on May 4, 1981

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items