Knife
Item number Sf523 from the MOA: University of British Columbia.
Item number Sf523 from the MOA: University of British Columbia.
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A flaring blade with a semi-circular cutting edge is surmounted by a sculpture of a standing human figure and a long-eared quadruped. The human holds the animal by one ear and by a rope around its neck. The human wears a wrapped headdress with chin strap. Several fragments of plain weave cotton cloth with paired warps are adhered to the blade.
This may be a ceremonial blade as ones of similar shape are frequently shown on Moche ceramic depictions of human decapitation (Jones).
Vicus/Moche Style; contemporary with Moche 1 and 2, 0-200 C.E. Other cast copper blades, elaborated at the top with small sculptures are said to come from Vicus (Jones). Stylistically, the sculpture accords well with Vicus and Moche sculpture.
The large carved animal may be a llama or deer as both are ungulates depicted with ropes around their necks in Moche art. The neck rope is often connected with the prisoner/sacrifice themes. It appears frequently on naked or decapitated humans and on depictions of so-called 'prisoner jar' ceramics.
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
This may be a ceremonial blade as ones of similar shape are frequently shown on Moche ceramic depictions of human decapitation (Jones).
Vicus/Moche Style; contemporary with Moche 1 and 2, 0-200 C.E. Other cast copper blades, elaborated at the top with small sculptures are said to come from Vicus (Jones). Stylistically, the sculpture accords well with Vicus and Moche sculpture.
A flaring blade with a semi-circular cutting edge is surmounted by a sculpture of a standing human figure and a long-eared quadruped. The human holds the animal by one ear and by a rope around its neck. The human wears a wrapped headdress with chin strap. Several fragments of plain weave cotton cloth with paired warps are adhered to the blade.
The large carved animal may be a llama or deer as both are ungulates depicted with ropes around their necks in Moche art. The neck rope is often connected with the prisoner/sacrifice themes. It appears frequently on naked or decapitated humans and on depictions of so-called 'prisoner jar' ceramics.
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