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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

A flaring blade with a semi-circular cutting edge is surmounted by a sculpture of a standing human figure and a long-eared quadruped. The human holds the animal by one ear and by a rope around its neck. The human wears a wrapped headdress with chin strap. Several fragments of plain weave cotton cloth with paired warps are adhered to the blade.

History Of Use

This may be a ceremonial blade as ones of similar shape are frequently shown on Moche ceramic depictions of human decapitation (Jones).

Narrative

Vicus/Moche Style; contemporary with Moche 1 and 2, 0-200 C.E. Other cast copper blades, elaborated at the top with small sculptures are said to come from Vicus (Jones). Stylistically, the sculpture accords well with Vicus and Moche sculpture.

Iconographic Meaning

The large carved animal may be a llama or deer as both are ungulates depicted with ropes around their necks in Moche art. The neck rope is often connected with the prisoner/sacrifice themes. It appears frequently on naked or decapitated humans and on depictions of so-called 'prisoner jar' ceramics.

Item History

  • Made in Peru during 200
  • Collected between 1949 and 1966
  • Owned by Anonymous before May 4, 1981
  • Received from Anonymous (Donor) on May 4, 1981

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