Rod Puppet
Item number Ib318 from the MOA: University of British Columbia.
Item number Ib318 from the MOA: University of British Columbia.
This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.
The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.
These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.
This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.
A three-dimensional male humanoid figure puppet. Has a large head and jointed arms attached to controlling rods. The pink face is positioned upwards with white eyes that have red irises. There are prominent white upper teeth with red lips. Facial hair and details are painted in black. Hair (human ?) is attached to the face to form a moustache. The head is covered in a hairnet in the Javanese style in black, yellow, blue, white, and red. The upper torso is covered in a tight fitting brown garment with two plastic buttons and two tacked epaulettes: one cloth and one plastic. The arms are very long with the upper arms of twisted cloth which appear very flexible and unrealistic. Wearing a long batik skirt in brown, blue, and beige.
Javanese puppetry as an art form probably developed by the 11th century. Wayang golek puppets of western Java appeared during the 16th century. Originally the plays depicted Javanese mythology, but after the Indian conquest of Java the Hindu epics, Ramayana and Mahabharata, were incorporated into the cycles, which comprise about 200 plays. A dalang (puppet master) performs the plays to celebrate important occasions, usually in three acts, with vocal and instrumental accompaniment. Typically they serve a moral and religious purpose, and more recently, one of political commentary. Citrayuda is a raden (prince) of the Mahabharata cycle, which is largely concerned with the legendary conflict between the Kurawa and Pandawa brothers. He is known as a particularly aggressive ally of the evil Kurawas, who are defeated by the noble Pandawas after usurping their kingdom.
Theatrical performance.
Each puppet is characterized by it's wanda, a Javanese word which describes the specific mixture of elements of size, form, colour, ornamentation and carving. Position and colour of eyes and face indicate aggressiveness and irreverence. Exaggerated features suggest lack of refinement. Batik skirt worn by characters of rank only, as are tight-fitting garments. Significance of human hair not known. Hairnet, facial features, and clothing indicate the character is an advisor or less traditional warrior. Puppet tentatively identified as Citrayuda, although facial hair and epaulettes are clearly variant.
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
Theatrical performance.
Javanese puppetry as an art form probably developed by the 11th century. Wayang golek puppets of western Java appeared during the 16th century. Originally the plays depicted Javanese mythology, but after the Indian conquest of Java the Hindu epics, Ramayana and Mahabharata, were incorporated into the cycles, which comprise about 200 plays. A dalang (puppet master) performs the plays to celebrate important occasions, usually in three acts, with vocal and instrumental accompaniment. Typically they serve a moral and religious purpose, and more recently, one of political commentary. Citrayuda is a raden (prince) of the Mahabharata cycle, which is largely concerned with the legendary conflict between the Kurawa and Pandawa brothers. He is known as a particularly aggressive ally of the evil Kurawas, who are defeated by the noble Pandawas after usurping their kingdom.
Each puppet is characterized by it's wanda, a Javanese word which describes the specific mixture of elements of size, form, colour, ornamentation and carving. Position and colour of eyes and face indicate aggressiveness and irreverence. Exaggerated features suggest lack of refinement. Batik skirt worn by characters of rank only, as are tight-fitting garments. Significance of human hair not known. Hairnet, facial features, and clothing indicate the character is an advisor or less traditional warrior. Puppet tentatively identified as Citrayuda, although facial hair and epaulettes are clearly variant.
A three-dimensional male humanoid figure puppet. Has a large head and jointed arms attached to controlling rods. The pink face is positioned upwards with white eyes that have red irises. There are prominent white upper teeth with red lips. Facial hair and details are painted in black. Hair (human ?) is attached to the face to form a moustache. The head is covered in a hairnet in the Javanese style in black, yellow, blue, white, and red. The upper torso is covered in a tight fitting brown garment with two plastic buttons and two tacked epaulettes: one cloth and one plastic. The arms are very long with the upper arms of twisted cloth which appear very flexible and unrealistic. Wearing a long batik skirt in brown, blue, and beige.
Let the RRN community answer your questions
With an account, you can ask other users a question about this item. Request an Account
Share your knowlege of this item with the RRN community
With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account