Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Trapezoid-shaped block of wood, hollowed out and re-closed on one side with a piece of fitted wood. There is a hole in the bottom of the base and at the curved end for sound. There is a hand grip carved into the wood at the end where the metal prongs are attached. Eight metal parallel prongs are held in place by a cross piece metal bar attached to the base by wire loops threaded and resting on a right angled strip of metal at one end, and a strip of wood at the other. There is a round metal sleeve on each prong. The strips of lightweight metal are wound around the base of each prong (or key) to act as resonators. The top face has a linear design burnt into the wood.

History Of Use

The mbira (Shona language) is a plucked idiophone (or lamellaphone) that has been in use for thousands of years, and is played widely throughout the African continent. It is known by many different names, e.g., sanza, kalimba, kilembe, likembe, kadono, akogo, timbrh, and thumb piano, and has undergone regional variations, but the general style and function remain consistent. The instrument has been played for both secular and ceremonial use, e.g., around the fire during social evenings, or to commicate with the ancestors.

Specific Techniques

The metal sleeves are little strips of light metal that are wound around the base of each key or prong to act as resonators or buzzers which add to the texture of the overall sound.

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items