Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Large, cotton damask, rectangular tie-dyed textile. Dark blue background with blue, red, and light green tie-dyed rows alternating with rows of tie-dyed round red dots, all running in diagonal pattern. Two selvedges and two ends cut.

History Of Use

There is archaeological evidence that textiles were made in Africa long before European contact. Expansion did occur in the 8th century with the spread of Islam. In pre-Colonial times it was used as a medium of exchange; later becoming an important economic activity of many African economies. Dyeing usually is a woman's occupation and previously was regarded as a secret craft. They generally pass on their craft to daughters, but also to kinswomen and friends for a fee. It is a small scale economic activity taking place in rural villages, or small towns. The purpose of tie-dyeing is to produce one of a kind textiles, which communicate a variety of messages. Traditionally, demand for textiles was for religious or political reasons because they were worn as symbols of position and power. Now used for personal display. Textiles have aesthetic, significance, prestige, religious purposes, everyday, or ceremonial uses, and can be used to recognize age, sex, occupation, ethnic group, or the region of a person. More popular during the dry season when festivals and holidays predominate and rural purchasing power is greatest. Cloth of this sort is worn by woman tied skirt-like around their hips or as a head covering. Also used as a man's sleeping wrap.

Cultural Context

covering; decoration; clothing

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items