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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Black mbroidered white valance; vase motif at each end. Centre motif: fish, water plant, waves. Motif at Proper Right: hare, cloud forms, plant with bird, underlying tree branch form. Motif at Proper Left: duck, lotus branch, insects, abstract plant design, underlying tree branch form. Rosettes on fish, flowers , arrows on birds, vertical rows of dots on hare. Vase on Proper Right: linear body, double-bordered sprig decoration, sections of taoist mace behind. Vase on Proper Left: similar shape, insect decoration, balloon guitar behind. Both vases hold conventionalized flower forms. Embroidered border along bottom and sides of flower and zig-zag pattern.

History Of Use

Blue and white embroideries are part of a long domestic tradition. Designs vary geographically but are constant within generations of families except for minor individual variations. Often used to decorate the bed which traditionally played a focal part in household ritual particularly at the new year when all household spirits were honored. They are family made, by women, and family owned. These embroideries were of no local commercial value.

Cultural Context

utilitarian;household

Iconographic Meaning

Vase, maintenance of peace. Fish; wealth, abundance. Waves, abode of the gods. Hare, longevity. Clouds, fertility of the lands. Duck, felicity. Butterfly; joy, marital felicity. Lotus; summer, fruitfulness. Rosettes, luck. Mace, authority. Balloon guitar, the moon.

Item History

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