Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Painting consisting of a scene painted on silk depicting a gathering of artists along a river. From right to left: river starts near top and passes under a bridge, with a man and a boy carrying a lute. The river then runs across with trees on both banks and wine cups floating along. Groups of men and boys are on both sides of the river, painting on rocks; floating wine cups; writing on scrolls; making tea on a stove which is on a table. At left is a house on stilts with two men and a boy with brushes and a scroll. There are six very worn characters and two seals at left. There is a half round of wood and a cord at each end.

History Of Use

The painting depicts an actual gathering of prominent scholars in China in the year 353; they were invited by the great writer and calligrapher Wang Xizhi to a poetry competition. In Japan, the event has been re-enacted since the tenth century, and artists have depicted it in paintings and prints. The artist’s teacher, Ike no Taiga, produced numerous versions of the image to meet heavy demand from clients. In creating his own version, Gogaku was influenced by the Chinese literati style.

Narrative

This handscroll painting was collected by Canadian missionary doctor Richard Brown in Japan immediately after World War Two.

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items