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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Bilaterally symmetrical image with frontal face flanked by profile faces connected by curved band; main lines in black, secondary features in orange-red and orange, tertiary features in brown. Central ovoid face, outlined in black with curled ear-shapes above, circle within circle eyes outlined with tapering ovoids, surrounded by orange. Orange-red mouth, even white teeth, tongue protrudes over centre bottom teeth. Unconnected hands below face on either side with double black ovoid palms and orange fingers and thumb. Curved bands are three thin parallel black bands with rows of u-shapes between, centre u's are reversed from top to bottom; top and bottom in alternating orange and brown; centre alternates in brown and orange-red. Profile faces have curled ear-shape; orange-red tongue protrudes from mouth with even teeth rows, canines are two triangles forming square. Eye as in central face; black nose curves up over central orange ovoid. Pencil inscription at bottom reads '77/200 sisiutl beau dick 81'.

History Of Use

Northwest Coast serigraphs are a contemporary art form, deriving from early 20th century drawings of traditional crest and decorative designs, commissioned by anthropologists and undertaken by artists such as Charles Edenshaw. Residential schools reinforced the medium, while discouraging the use of traditional themes. An important series of traditional designs in coloured pencil and watercolour were done by Mungo Martin for UBC in 1949-50. The 1960's saw the rapid growth of prints, first in unlimited poster editions, and later with the establishment of the Gitanmaax School of Northwest Coast Indian Art at 'Ksan (1967), and of the Northwest Coast Indian Artists Guild (1977), limited edition art runs became the standard. Northwest Coast silkscreen prints are part of the mainstream art market, as well as functioning within the native context as potlatch gifts, and commemorative prints. Although there are distinctive regional styles, individual artists may work in several styles, or apply unique themes and variations to specific works.

Cultural Context

contemporary art

Item History

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