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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Carved, wood mask with a triangular shape coming to a point at the bridge of the nose. Bear fur spans the top of the mask and extends halfway down the back opening. The slightly raised, heavy eyebrows are painted black, extending from the back edges of the mask and meet at the upper nose. The eyes, set in a shallow recess on the plane of the upper cheek, are long and drawn out with a circular centre. The nose is long and narrow, with back thrust nostrils. Lips, painted red are rounded and drawn back, slightly parted. U-form designs on the forehead are painted green, blue and red; eyes are outlined in black with a red broken-line sunlight design above them; wave-like designs on the cheek are painted green and blue.

History Of Use

This mask is of the type worn at the front of canoes coming into land for a potlatch. Songs were sung before the beaching of the canoe. The face of this mask is similar to the Nuu-chah-nulth 'buffoon mask'. The sharp planes of this mask were developed for the dances, where dancers would present their profiles to the audience, moving the head from one side to another.

Cultural Context

ceremonial

Iconographic Meaning

The u-forms on the forehead represent wind direction; the cheek designs represent the ocean surface (rollers on right: breakers on left); the broken up red area above the eyes represents sunlight.

Item History

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