Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Small totem pole with three figures. Topmost is a bear figure with a black body, green arms and legs, a red snout and eyes and red dots covering the body. The middle figure is wolf-like with a red body, black arms and legs and green dots covering the body. The bottom figure is a bird with a green head and body covered with black dots and red and black striped wings. The word "Esquimalt" is roughly carved across the lowest portion of the pole. The pole sits on a black and brown base.

History Of Use

Traditionally, Coast Salish sculptures took the form of large-scale houseposts and boards, which were decorated with realistic looking animal, human and supernatural figures. Totem poles, originally only carved by their northern neighbours, became more popular in the early 20th century as tourist art. Many scholars feel that traditional styles of Coast Salish "art" were overlooked because it expressed private, non-secular experiences of the makers and they were reticent to discuss it or sell it to individuals outside of their communities. Miniature carved objects, such as totem poles and canoes, were popular forms of tourist art in the 20th century and are found in many museum collections.

Cultural Context

contemporary art; tourist art

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items