Textile

Item number 1046/4 from the MOA: University of British Columbia.

Public

Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

Data
Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Rectangular, multi-coloured silk ikat bed cover or wall hanging, backed with machine printed, floral cotton textile. On the ikat side are 25 narrow vertical stripes of seven-colour warp-face ikat designs, separated by narrower, unpatterned green, yellow, or red-purple stripes. The weft is bright pink, giving the piece an over-all rosy appearance. The machine printed cotton backing textile is predominantly red, with brown, tan and white details, and the piece is bound on all four edges with bias cut green silk textile. Several lengths of ikat textile were pieced together to achieve the desired width.

History Of Use

May have been used as a bed cover (adiol) for a bride and groom, or could also have been used as a decorative wall hanging (pardah), curtain, room divider, etc. The printed cotton textile used to back this piece was likely produced in Russia, where there was a flourishing industry that produced printed textiles for the Central Asian market.

Narrative

According to Clarke Abbott of Tradewind Antiques, the person who collected this piece lived in Kabul in the early 1960s, doing ambassadorial work. He traveled widely throughout the area. He was killed in an automobile accident there, and no further information is available about him or his collection. The piece was subsequently acquired by Tradewind Antiques in Vancouver at an unknown date, and the Museum of Anthropology purchased it in 1984, when the business was liquidating its stock.

Specific Techniques

Ikat production is a specialized, urban activity that involves the expertise of many separate groups of artisans who tie, dye and weave the textiles. Specialization for each of these activities is assigned to specific ethnic groups and follows strict tradition. The white line on one of the panels results from the positioning of the framework on which the weft yarns are wound during the dyeing process. Needle holes in the silk textile indicate that it may have been reworked from a previous form. The patterns used in ikat textiles vary greatly in response to changes in fashion and style.