Jarlet
Item number Ia289 from the MOA: University of British Columbia.
Item number Ia289 from the MOA: University of British Columbia.
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Slightly greenish-grey glazed spherical jarlet with wide mouth and two loop ears. The interior and exterior are glazed except for mid-body patches, base and underside. These exposed areas reveal a greyish white body. The base is shaved and there are chatter marks on the underside. A set of inked letter and numbers is written on the underside.
Chinese ceramics were important trade items in southeast Asia during the 11th-16th centuries and became fully integrated with ideology and ritual in Philippine societies, playing an important role in all aspects of cultural life (Langrick, p.61). Their functions were varied and included utilitarian, ceremonial and religious roles as heirlooms, and in mortuary ceremonies as burial goods and items of prestige. Chinese ceramics constitute the vast majority of burial goods excavated in the Philippines. Buried with the deceased, they acted as indicators of wealth, protected the departing spirit from evil and serving as provisions for the afterlife. Turned-over plates and bowls were used to cover certain parts of the body, establishing a protective area. In addition, many excavated ceramics were miniaturized replicas of larger, functional vessels--symbolic substitutes for provisions for the afterlife. In addition, small jarlets and bottles and other containers were used for ritual substances (oils, herbs, aromatic resins) and for food offerings necessary for the departing spirit. Most of the trade ceramics excavated in the Philippines show little or no evidence of usage before burial. Locsin divides lead-glazed wares found in the Philippines into two chronologically oriented groups. The earlier group is attributable to the Song (960 -1279) and Yuan (1260 - 1368) dynasties. According to Locsin, this group exhibits Tang-like glazes albeit with non-Tang shapes and originated from south China kiln or kilns continuing in the Tang tradition long after the Tang Dynasty (618 - 906 C.E.) had gone into decline (p. 1-3). There are fewer examples during the Ming dynasty (1368-1644). From the condition of trade ceramics shown in published sources and the Tecson collection, it appears that most of the wares were kiln seconds, or rejects. They were nevertheless regarded with high esteem and actively traded.
exchange; status; ceremonial; mortuary
Chatter marks are described in Medley (1977, p. 62) as radiating ridges, varying in prominence, on the base of a circular vessel. It is a fault in manufacture, which occurs in cutting the foot-ring, and is due to holding the foot turning tool insufficiently firmly or at the wrong angle.
In many indigenous groups of the Philippines, supernatural power was attributed to Chinese ceramics because of the ringing sound emitted when lightly tapped and their vitreous, shiny glazed surfaces which impart an impermeable quality. The ringing sound was seen as a magical voice able to attract the attention of powerful ancestor spirits. Their impermeable and seemingly imperishable surfaces were believed to have great protective power against all kinds of influences, from evil spirits to poisons (Langrick, p. 55-56).
This jar is part of a collection of Chinese ceramics found in burial context in the Philippines and was excavated in Lumban, Laguna Province, Philippines.
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
Slightly greenish-grey glazed spherical jarlet with wide mouth and two loop ears. The interior and exterior are glazed except for mid-body patches, base and underside. These exposed areas reveal a greyish white body. The base is shaved and there are chatter marks on the underside. A set of inked letter and numbers is written on the underside.
exchange; status; ceremonial; mortuary
Chatter marks are described in Medley (1977, p. 62) as radiating ridges, varying in prominence, on the base of a circular vessel. It is a fault in manufacture, which occurs in cutting the foot-ring, and is due to holding the foot turning tool insufficiently firmly or at the wrong angle.
In many indigenous groups of the Philippines, supernatural power was attributed to Chinese ceramics because of the ringing sound emitted when lightly tapped and their vitreous, shiny glazed surfaces which impart an impermeable quality. The ringing sound was seen as a magical voice able to attract the attention of powerful ancestor spirits. Their impermeable and seemingly imperishable surfaces were believed to have great protective power against all kinds of influences, from evil spirits to poisons (Langrick, p. 55-56).
This jar is part of a collection of Chinese ceramics found in burial context in the Philippines and was excavated in Lumban, Laguna Province, Philippines.
Chinese ceramics were important trade items in southeast Asia during the 11th-16th centuries and became fully integrated with ideology and ritual in Philippine societies, playing an important role in all aspects of cultural life (Langrick, p.61). Their functions were varied and included utilitarian, ceremonial and religious roles as heirlooms, and in mortuary ceremonies as burial goods and items of prestige. Chinese ceramics constitute the vast majority of burial goods excavated in the Philippines. Buried with the deceased, they acted as indicators of wealth, protected the departing spirit from evil and serving as provisions for the afterlife. Turned-over plates and bowls were used to cover certain parts of the body, establishing a protective area. In addition, many excavated ceramics were miniaturized replicas of larger, functional vessels--symbolic substitutes for provisions for the afterlife. In addition, small jarlets and bottles and other containers were used for ritual substances (oils, herbs, aromatic resins) and for food offerings necessary for the departing spirit. Most of the trade ceramics excavated in the Philippines show little or no evidence of usage before burial. Locsin divides lead-glazed wares found in the Philippines into two chronologically oriented groups. The earlier group is attributable to the Song (960 -1279) and Yuan (1260 - 1368) dynasties. According to Locsin, this group exhibits Tang-like glazes albeit with non-Tang shapes and originated from south China kiln or kilns continuing in the Tang tradition long after the Tang Dynasty (618 - 906 C.E.) had gone into decline (p. 1-3). There are fewer examples during the Ming dynasty (1368-1644). From the condition of trade ceramics shown in published sources and the Tecson collection, it appears that most of the wares were kiln seconds, or rejects. They were nevertheless regarded with high esteem and actively traded.
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