Headdress
Item number Ag66 from the MOA: University of British Columbia.
Item number Ag66 from the MOA: University of British Columbia.
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Dark brown stylized, antelope-like figure with an extended horns, an exaggerated neck and an elongated humanoid head. A second, smaller figure, matching the first, stands on its back.
A female Chi Wara (Ci Wara, Tyi Wara) headdress that is made to be danced as a pair with a male mask at harvest festivals to honour Chi Wara, a half human and half antelope mythical being who taught agriculture to the ancestors of the Bamana people. When humans became wasteful, Chi Wara buried himself in the earth and the Bamana created headdresses to represent him. Together, the male and female headdresses embody the ingredients necessary for successful cultivation. The dancers would hold sticks in their hands, to represent the movements Chi Wara made when he taught men how to cultivate, and the women would sing songs of praise for Chi Wara and the farmers. The headdress is attached to a wicker cap, which is strapped around the chin of a dancer.
The headdresses are inspired by antelopes, armoured pangolins, and aardvarks. The antelope head represents the strength and grace needed to farm. The armoured pangolin's body represents protection, and the aardvark's legs represent good digging needed for farming. The female Chi Wara headdress represents the earth, while the male one represents the sun. The long horns represent the tall growth of millet, and the baby on the back of the female represents all humankind. The fibre ties of the wicker cap, that the headdress would have been attached to, are associated with streams of water.
The wood is oiled and then charred in fire to deepen the colour.
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
Dark brown stylized, antelope-like figure with an extended horns, an exaggerated neck and an elongated humanoid head. A second, smaller figure, matching the first, stands on its back.
A female Chi Wara (Ci Wara, Tyi Wara) headdress that is made to be danced as a pair with a male mask at harvest festivals to honour Chi Wara, a half human and half antelope mythical being who taught agriculture to the ancestors of the Bamana people. When humans became wasteful, Chi Wara buried himself in the earth and the Bamana created headdresses to represent him. Together, the male and female headdresses embody the ingredients necessary for successful cultivation. The dancers would hold sticks in their hands, to represent the movements Chi Wara made when he taught men how to cultivate, and the women would sing songs of praise for Chi Wara and the farmers. The headdress is attached to a wicker cap, which is strapped around the chin of a dancer.
The headdresses are inspired by antelopes, armoured pangolins, and aardvarks. The antelope head represents the strength and grace needed to farm. The armoured pangolin's body represents protection, and the aardvark's legs represent good digging needed for farming. The female Chi Wara headdress represents the earth, while the male one represents the sun. The long horns represent the tall growth of millet, and the baby on the back of the female represents all humankind. The fibre ties of the wicker cap, that the headdress would have been attached to, are associated with streams of water.
The wood is oiled and then charred in fire to deepen the colour.
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