Shadow Puppet
Item number 1374/1 from the MOA: University of British Columbia.
Item number 1374/1 from the MOA: University of British Columbia.
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Shadow puppet of male figure with black face in profile. Long neck, with six black lines, projecting out from body. Long nose, open mouth with three teeth. Hair tied into curved and pointed shape with gold coloured attachment. Skirt has brightly coloured design and chest is bare. Hair and skirt finely perforated. Long, jointed arms attached to controlling rods. Ring on each hand with three red circles on it. Feet are joined heel to toe by red strip. The shoulders and elbows are rotatable and a marionette stick is attached through the palm of each hand.
Wayang kulit, shadow puppets, are gilded, intricately painted and finely perforated so as to cast large shadows on a screen during night-long storytelling performances throughout Indonesia. The dalang, or puppeteer, narrates the Wayang Purwa stories. The size, colour and carving patterns of wayang kulit were standardized under the Islamic rule of King Radan Patah in the sixteenth century, when new laws prohibited the depiction of human forms. Shadow puppets were produced in a variety of styles.
Puppet depicts the character Arjuna, of the Hindu epic Mahabharata. The colour black used on the character’s face is to symbolize his maturity and serenity.
Puppet purchased in Balai Agung's shop in Surakarta, Java, next to the Kajunanan Kraton.
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
Puppet depicts the character Arjuna, of the Hindu epic Mahabharata. The colour black used on the character’s face is to symbolize his maturity and serenity.
Wayang kulit, shadow puppets, are gilded, intricately painted and finely perforated so as to cast large shadows on a screen during night-long storytelling performances throughout Indonesia. The dalang, or puppeteer, narrates the Wayang Purwa stories. The size, colour and carving patterns of wayang kulit were standardized under the Islamic rule of King Radan Patah in the sixteenth century, when new laws prohibited the depiction of human forms. Shadow puppets were produced in a variety of styles.
Shadow puppet of male figure with black face in profile. Long neck, with six black lines, projecting out from body. Long nose, open mouth with three teeth. Hair tied into curved and pointed shape with gold coloured attachment. Skirt has brightly coloured design and chest is bare. Hair and skirt finely perforated. Long, jointed arms attached to controlling rods. Ring on each hand with three red circles on it. Feet are joined heel to toe by red strip. The shoulders and elbows are rotatable and a marionette stick is attached through the palm of each hand.
Puppet purchased in Balai Agung's shop in Surakarta, Java, next to the Kajunanan Kraton.
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