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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Solid silver turtle with pierced nose; stamped with three marks in separate cartouches.

History Of Use

Initially, the main sources of silver were British, French, and Spanish coins. Most ornaments were produced by silversmiths of European origin in North America and Europe. By the mid-18th century silver objects were produced in New England, Quebec and Montreal. Silver ornaments continue to be produced by native silversmiths in Central Canada and the USA. Animal imagery is a significant part of Woodland First Nations tradition, but no documented instance has been found of the use of animal effigies in trade. The place of effigies in Woodlands culture is not known.

In 1670 King Charles II of England granted an exclusive fur trading charter to the Hudson's Bay Company in what was later to become Canada. The company's mandate was to protect the crown's interests and undertake exploration and territorial expansion. Competition for furs was intense, and in 1784 the North West Company was formed by a number of independent trading groups. By 1821 this company faced bankruptcy and merged with the Hudson's Bay Company. This latter company still exists today, operating a number of retail stores across Canada, and is known simply as The Bay.

Iconographic Meaning

The Iroquois legend of the turtle explains that the earth was formed from a lump of mud on the turtle's back. See Frederickson, page 59.

Cultural Context

personal ornamentation

Item History

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