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Specific Techniques

Embroidery pattern on coloured paper was transferred onto the silk using fine needles. The specific forms were done by eye, not following a detailed pattern. The embroidery was done with the silk cloth stretched on a rectangular frame.

Description

One of a pair of embroidered panels on a horizontal rectangle of dark pink silk with a backing of yellow paper that is folded towards the front and pasted in place to form a frame. Each panel is finely embroidered with an arch shape open at the top made up of flowers, leaves, and four multi-coloured butterflies, one of which is near the bottom while the other is near the top of the side of the arch shape. One butterfly is in profile and the other with wings spread. The flowers are predominantly in shades of blue and green. Some details are couched in gold thread. Within the arch are four wide v-shapes of embroidered flowers and leaves opening toward the centre of the panel.

Iconographic Meaning

The materials and fine work indicate that this was intended for use by a high-class person. Butterflies are symbols of harmony and carnal love, indicating that this pair of pillow ends (with N3.33) was probably for a couple. Pink fabric was also appropriate for a couple.

History Of Use

Such panels formed the sides of high pillows, square or rounded in cross-section, used to keep cool and to preserve the user’s hairdo. The pillows were filled with grain, such as unhusked rice. Such special pillow ends were used by wealthy people and members of the official “yangban” class. Such work was done by women working in workshops.