Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Necklace with handmade silver beads and seven gold-coloured solid crosses along the bottom. Each cross has zigzag engraving and is separated by four beads. The cross in the middle is slightly larger. Each cross has a maker's mark.

History Of Use

Silver ornaments represent an important part of early exchange between Europeans, including fur traders, and First Nations people, especially in eastern and central Canada and the U.S.A. Initially, the main source of silver was British, French and Spanish coins. Most ornaments were produced by silversmiths of European origin in North America and Europe, and were actively traded only from 1760 to 1821. By the mid-18th century silver objects were produced in New England, Quebec and Montreal. Silver was used by First Nations people as a sign of rank. Silver ornaments in these styles continue to be produced by native silversmiths in central Canada and the USA. The cross was the oldest form of trade silver, introduced by French missionaries to North America for presentation to converts. Crosses were later used for trade with no religious connotations. The Latin cross has a single bar. Technique is not confirmed by a specialist. References cited refer to Trade Silver in general for the most part, rather than specific objects.

Specific Techniques

Roulette engraving produces a uniform zigzag, an identifying feature of this technique, and is created by using a revolving disk with sharp teeth.

Cultural Context

trade; personal decoration; status

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items