Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by Brooklyn Museum. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Square-shaped hat of woven cotton cloth over a reed frame decorated with multicolored mosaic feather-work. The feathers were glued to thin bark or fiber cloth and cut precisely into the required shapes. Then they were glued to the fiber cloth stretched over the reed framework. The design consists of crested jaguar heads that alternate with step patterns and triangles contained in squares. The design on the top of the hat is four triangles with step frets within. Condition: good; some losses.

Credit Line

A. Augustus Healy Fund

Label

While square hats are characteristic of the Wari culture, they are usually made of camelid fibers. On this hat, feathers have been attached to a cloth and reed foundation and cut into a mosaic design to create a headdress of exceptional brilliance and beauty. The motifs are similar to those found on fiber hats and other Wari textiles: profile feline heads alternate with a four-part design composed of squares and triangles, repeated on all four sides. The Wari, like other ancient Andean peoples, valued tropical forest birds for their bright, iridescent plumage. They probably considered feathered garments such as mantles, tunics, and headdresses to be high-prestige items because feathers and live birds had to be imported from the distant Amazon jungle. This headdress with vivid mosaic work was probably worn for ceremonial occasions.

Item History

  • Made between 650 and 1000

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items