Cantonese Opera Panel
Item number N1.884 from the MOA: University of British Columbia.
Item number N1.884 from the MOA: University of British Columbia.
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Rectangular pink panel edged with a green border and tin reflectors. The back lining is white cotton with a pair of cotton ties sewn at one end.
Such objects may have been used as banners or hanging panels on the stage, which was otherwise virtually bare except for entrance and exit panels of the same material. They also may have been carried to represent a sedan chair, with the actor representing the rider walking in the middle.
Hand sewn. All seams are enclosed.
theatre
A large group of Cantonese opera costumes, musical instruments, props, trunks, and stage fittings was left with the Jin Wah Sing Musical Association, apparently by some of the many itinerant troupes visiting Vancouver to perform in the Chinatown theatres in the pre World War II period. There is no certain knowledge of why these materials were not taken back to China by them. They were used by the Jin Wah Sing Musical Association in their performances until they became too dated. The association continued to preserve them carefully, storing them in their headquarters and in the basement of the Chinese Freemasons building until several groups of materials were sold and donated to the Museum of Anthropology.
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
Rectangular pink panel edged with a green border and tin reflectors. The back lining is white cotton with a pair of cotton ties sewn at one end.
Such objects may have been used as banners or hanging panels on the stage, which was otherwise virtually bare except for entrance and exit panels of the same material. They also may have been carried to represent a sedan chair, with the actor representing the rider walking in the middle.
Hand sewn. All seams are enclosed.
theatre
A large group of Cantonese opera costumes, musical instruments, props, trunks, and stage fittings was left with the Jin Wah Sing Musical Association, apparently by some of the many itinerant troupes visiting Vancouver to perform in the Chinatown theatres in the pre World War II period. There is no certain knowledge of why these materials were not taken back to China by them. They were used by the Jin Wah Sing Musical Association in their performances until they became too dated. The association continued to preserve them carefully, storing them in their headquarters and in the basement of the Chinese Freemasons building until several groups of materials were sold and donated to the Museum of Anthropology.
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