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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Mask (a) with a protruding rim around the sides and top, furrowed brows, raised eyes and cheeks, a hooked nose with flared nostrils, crescent-shaped protrusions to the sides of the mouth, and a protruding chin. A fringe of long hemp fibre is attached at the top. The mask is painted with alternating black and white scallop shapes around the rim, a white forehead with black eyebrows, green around the eyes and on the nose, red nostrils and lips, a black and white design on the cheeks, and on the protruding crescent shapes beside the mouth, green around the mouth, and brown on the chin as well as around the face. The mask has five mouthpiece attachments: b) wide mouth with open red lips exposing two rows of natural wood teeth; c) wide, open, and protruding mouth with red lips and a black base; d) an orange beak with red nostrils and edges; e) a black muzzle with red nostrils and lips, and natural wood teeth; f) a black beak with red nostrils and edges. Each mouthpiece has a protruding piece at the reverse that fits into the slot of the mask's mouth.

Iconographic Meaning

Represents echo: sa'pola, echoing back and forth (C. George, 1966). Mouths represent: a, b) human, c) human, d) eagle, e) bear, f) raven (J. Seaweed, 1966).

Narrative

Made for Charlie George's step-mother at the time she potlatched for his father (C. George, 1966).

Item History

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