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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Distributive design painted in black on natural wood. The left side, from the top to the bottom, has the following: three circles in a rectangle each; an eye form in an ovoid; a circle in a rectangle with a pair of circles in a split u each; an ovoid in an ovoid with a profile face facing to the right side; and three circles in a rectangle each. The right side, from the top to the bottom, has the following: an eye form in an ovoid with a pair of circles in a rectangle each; an eye form in an ovoid with a pair of circles in a rectangle each above and a front facing face with an oval in a box in between; an eye form in an ovoid with a pair of eyes and a pair of circles in a rectangle each below; and a pair of circles in a split u form each with a front facing face.

History Of Use

The design for a chilkat style robe is first painted onto a pattern board, then precisely copied in weaving. The style operates within strict conventions, but also permits subtle individual variations and originality. Full-sized renderings of the designs are painted on the wood board, but because the blanket designs are symmetrical, only one half needs to be painted. (For a newer example, see 3779/1.) A pattern board occasionally had different designs, one on each side. E.g., painters might copy an existing pattern board, changing small details.

Cultural Context

textiles; weaving

Item History

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