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Iconographic Meaning

Represents dlugiwe' (treasure), of the Nunlham dance.

History Of Use

These articulated characters are known as dług̱we’ treasures (as are the theatrical dances in which they appear). The Kwakwaka’wakw have history of puppetry related to their ceremonial feasts. The winter potlatches are known for their spectacular performances, suffused with cultural teachings and supernatural content, such as the coming of Winalagalis, the supernatural warrior. Dances and songs associated with Winalagalis include the tuxw’id, which is performed by women, who have the power and rights to make the dług̱we’ treasures (puppets) come to life. For instance, a tuxw’id dancer could make luminous winged-figures appear to ‘fly’ through the air, on invisible cords, in the flickering firelight. Used in the Nunlham dance, they are carried in the hands and the parts move as the person dances.

Description

Wooden winged puppet; in the form of a human-like figure, painted white, with wings on his back. The spread wings are decorated with stylized U-forms, split U’s, S shapes and ovoids. The arms are bent at the elbows with the forearms extended and palms facing up. The face is white with red, black and brown detailing. Silver foil under the eyes. The head, wings, shoulders, elbows and feet are all moveable.The colours are white, red, black, and green.

Narrative

Used in a dance ceremony around 1931 by Emily Baker (according to Dick Hawkins, 1966). One of twelve belongings loaned back for display at the Dawson family potlatch in Alert Bay, Aug 2019.